A Quick-and-Easy Thank-You Card for Amy’s Inkin’ Krew

For my second time “hopping” with Amy’s Inkin’ Krew on Tuesdays, I chose a simple thank-you card that anyone can make.

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Hello! It’s time (somehow) for my second team blog hop with Amy’s Inkin’ Krew! This month’s theme is “Giving Thanks,” so I have a simple thank-you card to share today. It didn’t take much time at all, and it’s one anybody can make!

I’ve remarked in past posts how difficult thank-you cards seem to be for me to get out on time. I found a new way to help speed up the process. This kind of card always brings out the scrapbooker in me. First, there is no stamping on it at all. And second, I used a front piece that is part of a 12″x12″ piece of decorative paper from American Crafts (item # 320490) that I picked up at JoAnn Fabrics in the open-stock paper section some months back. The paper included twelve different “seed packets” that said various things. All show flowers or a type of plant. You can see another example of one here. I merely cut them apart with my trimmer and sorted them by type before filing them for later. They weren’t all about gratitude, but I did set those aside so I could reach them quickly in an effort to get them onto cards and out the door faster. 🙂

So since I knew what main piece I was using, I just built the rest of the card from there, using the colors I saw. I had a retired piece of Stampin’ Up 80-lb cardstock (possibly Bashful Blue) that I cut into two bases, using one for this card and saving the other for later. I chose it because of the tiny little circle flowers behind the orange poppies (if they are poppies). I had to try out several versions of patterned paper for other layers between them to see what looked best. The little orange-and-yellow flowered patterned piece directly underneath is from a pack of retired Designer Series Paper from Stampin’ Up. I had always wondered what I was going to use that scrap piece for. It fit just right. 🙂 The neutral chevrons are from an Art-C Ephemera Pack. It was the only cardstock in the pack and I just wanted to use it up so I didn’t have to keep awkwardly storing it in the package. A bonus was that it toned down the orange flowers and grounded everything with its “neutralness.”

It was actually hardest to figure out the arrangement of the pieces after I knew what matched. I was not following a sketch, instead just making it up as I went along. I rearranged things several times and eventually decided that it was too plain as is – no embellishments?? – so I wanted to add the Pool Party Thick Baker’s Twine (the closest color I had to the blue base)…but I didn’t like any place I put it overtop the seed packet design. And the layers were a little too boring for me just one after another. (Though, granted, that would have been even easier and faster to make!) So I placed the seed packet piece above the chevrons and left a large space for the baker’s twine to go across as a decorative detail. Thankfully I thought ahead a little bit, because I realized before I glued it down that the baker’s twine (rightfully called “Thick”) is difficult to place underneath patterned paper without gaining a large bump in the paper and awkward gluing. That’s where the foam pop-up dots come in.

I used my ATG tape gun to adhere the seed packet to the chevron piece, leaving the top portion unglued, so that it essentially became one piece instead of two. Then I put pop-up dots on the back side of both papers regardless of where they overlapped. Before taking off the backing paper of the pop-up dots, I fed the twine under the chevron layer and arranged where I wanted it to lay in the end. Then I carefully took up the unattached background and pulled off the pop-up dots before placing it down just as carefully (and hopefully straight). I tied the ends of the twine into a bow and moved on.

To bring a little more detail to the card, I wanted to bring out the little dots in the centers of the orange flowers (Merriam Webster tells me those things are called “anthers,” so I learned something tonight). My first thought was to use my liquid Ranger’s Inkssentials Enamel Accents bottle of black, which dries nicely with a bit of a 3D idea off the paper; however, I didn’t have a lot of time and I would have had to move other things to get to it. I had a bottle of Ranger’s Adirondack Dimensional Pearls in the Espresso color nearby that I hoped was dark enough to get the look I wanted without being too off-color. It is more like a lovely chocolate brown, but it seemed to dry a little darker, and since there wasn’t much of it on the card anyway, it worked out well. So well that at first I thought I had used the Enamel Accents after all, when I started writing this post. 🙂 I just slowly worked a little out of the bottle and dabbed the tip near or to the so-called anthers, before putting it aside and letting it dry overnight. They still dried a little “puffy” like I had wanted for texture.

With the inside, I knew I would be writing a long note, because it was also going to be a “catching up on life since I haven’t called” kind of card. So I just used the smallest scrap of chevron paper and glued it horizontally on the bottom of the inside. (And then I ended up writing on it anyway, so I probably should have just left it off.)

So that’s it. To recreate the card, just find one of those 12″x12″ sheets (I’ve seen several kinds now since I bought the first one), cut it apart, and find paper and string to match it. And decorate otherwise if you wish. Easy-peasy. 🙂

Thanks for joining me today! To continue “hopping” with the Krew, you can click the “Next” (forward) button to view Shirley Gentry’s card or the “Previous” (backward) button to view Linda Richenberg’s takes on “Giving Thanks.” I have such amazing team members who do wonderful work. Please be sure to check them out. 🙂 See you next time!

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If you get lost or want to hop around the participants, here is the lineup of Krew members:

  1. Julie Johnston
  2. Karen Finkle
  3. Karen Ksenzakovic
  4. Jaimie Babarczy
  5. Linda Richenberg
  6. Connie Troyer (you are here!)
  7. Shirley Gentry
  8. Mary Deatherage
  9. Sue Prather
  10. Aurora Lopez
  11. Amy Koenders

A Mystifying Mermaid Shaker Card (with Bookcase Builder, Hardwood, Sliding Star Framelits, and Flourish Thinlits)

And this is how a unicorn led me to a mermaid.

Thanks to my niece’s unicorn birthday card, I got in a few more custom card orders. One of those was for a special mermaid birthday card. I get the craziest ideas in my head sometimes, without any inkling of how I’m actually going to accomplish them. And then, through trial and error and time and SMH-at-myself moments, eventually they come together–and hopefully I’m even pleased and kind of impressed that the whole thing didn’t flop. Such was the case with the mystifying mermaid.

I could see it in my head–a cute little mermaid on the outside of a wooden ship, peering through the porthole to see what she could see, much as I imagine Ariel would have done had she not been collecting artifacts in her grotto or spying on the dancing taking place on the deck of Prince Eric’s ship. The trouble was that I didn’t quite think through all the steps of just how to create it.

The ship wouldn’t be a problem to create, as I own the Stampin’ Up Hardwood stamp (current catalog) and the porthole and mermaid were only going to be so big (I didn’t have to create the entire ship). I began by cutting down a piece of Stampin’ Up Chocolate Chip (retired) cardstock to 6″x12″, scored it 6″ up, and folded it. (And then shortly thereafter I cut down that card base to 5.5″x5.5″.) I used SU Early Espresso ink (current) to stamp overtop the Chocolate Chip so the wood grain could be seen. I then looked at several circle dies on my die wall and decided that the double-circle die from SU’s “Sliding Star” Framelits (retired) had the spacing I wanted for the porthole. I centered the die on the now-smaller card base, put another piece of cardstock behind the card base so the marks in my die-cutting plate wouldn’t transfer to the inside of my card base, and ran it through (forgetting until then that the die would cut through both the base and the extra piece. Oops! Goof #1!).

(Side note: There are at least two ways to create a shaker card. The way I know best, I didn’t do. It would have been easier to cut a separate 5.5″ piece and make that the porthole piece with foam strips rather than cut through the base and do it all backward. But I didn’t think that far ahead. Goof #2.)

Once I had the hole cut into the card base, I had to make the porthole cover, which would need to extend over the hole slightly. I went back to my Chocolate Chip cardstock to find a remnant that would fit, placed the die on the paper, and traced around the inside circle. Then I grabbed one of my most favorite and very old tools (a layering tool from Stampin’ Up from waaaay back), put the smallest layering circle against the die, and dragged it around the die with a pencil through the center of the layering circle (it rolls around objects to make slightly larger mats). Then I cut the now-slightly-larger circle out of the cardstock by hand. Once I had both circles cut, I embossed the new porthole with a wood grain embossing folder, decided I wanted the debossed side up, marked where the mini brads should go, punched the necessary 1/16″ holes (it’s easier than forcing brads through the paper by hand), and placed my chosen brassy mini brads in their spots. And then I glued the porthole onto the card base.

But that still didn’t get me the shaker feature. And that’s when I realized that I was once again taking the hard road by not doing the way I already know (albeit not well). So I conferenced with my friend E, who happened to be on video chat with me while I crafted (there are some days I love technology!). And she proceeded to explain to me how to use my much-desired Fuse tool that I’d purchased, longed to use, put off using, and then started looking at in a rather intimidated fashion. Apparently one can make shaker pockets with a Fuse tool! I’d heard that somewhere but had never attempted it. And fortunately for me, I’d happened to find some Fuse Project Life pockets on clearance the last time I went to JoAnn Fabrics. Even better, I found them in my craft room without too much looking.

While the Fuse warmed up, I revisited the shaker elements I’d gathered a few days prior–different colors and shapes of sequins (the stars reminded me of starfish, and the gold, clear, and rose were the perfect shades); seed beads in clear and marine colors and clear Stampin’ Up microbeads (retired) for space in the shaker pocket; leftover gold, green, and red long confetti flakes from a Stampin’ Up card kit; gold, white, and green mica flakes (that I’d never tried using); gold glitter hexagonal flakes; and some white Rock Candy Distress Glitter from Ranger. I spooned various quantities of these things into the pocket–and put in too many (goof #3?)–but actually managed to work the Fuse tool correctly on the first try. The second try wasn’t as good, but I’ll practice now that I’m no longer scared of it. 🙂 I cut away the excess of the filled shaker pocket and asked E how to hide the thing in the card.

Since I wanted my mermaid to be looking at something inside the ship, I cut a large circle in a lighter color and stamped the background of a bookshelf and human objects with SU Bookcase Builder (retired), which would be seen through the shaker pocket; then I glued that to the back of the acetate piece in what I hoped would be the right position (since the shaker elements would and did move around). Then I took another remnant of Chocolate Chip cardstock, placed foam dots around the edges, and put it overtop the background and shaker pocket. And then I breathed a sigh of relief, because the thing actually shook around the way it was supposed to, even if I did probably put too much in it. I was hoping it would look like the outside of the porthole had collected some sea stuff there on the ledge as it moved through the water…but Miss Mermaid got what appears to be the amount that collects in a shipwreck! Oh well. Live and learn and stuff another envelope later.

So my porthole was done–and I’d previously colorized my little mermaid and her friends with watercolor pencils, an Aqua Painter, Adirondack Dimensional Pearls, Stickles, Nuvo Glitter Drops, and Distress Glitter Stickles. I’d actually tried to stamp her tail on some very nice flaked cardstock that reminded me of scales, but that didn’t work like I’d thought it would (and I should have known better anyway–another goof), so watercoloring and two layers of glitter glue ended up working for the tail instead. I fussy-cut them all out, glued the mermaid to the card front in between two of the mini brads in the porthole, and started trying to figure out my seaweed issue. In my head, I saw things floating near her on the outside of the ship, like her friends or the occasional sea life. I ended up with more things there than I’d intended, but I think it’s cute anyway.

I found some retired Stampin’ Up ribbon in Emerald Envy, Pistachio Pudding, and Coastal Cabana that was ruched or ruffled, so I thought that might work for seaweed. I didn’t think I had any seaweed dies or stamps–but I found dies that would have worked better after the card was done (goof #5). Too late. So I trimmed up the ribbon (cut some of it in half and twisted others) and found some greenery dies on my wall that I thought could pass for seaweed. I used a couple of miscellaneous green vellum sheets of paper with the dies and then attempted to glue them all together with Zots and Tombow Multi (green and white) Glue.

But I couldn’t stop there. I had to add beads and microbeads and mica flakes to the outside bottom edges too. The inside of the shaker can’t have all the fun. Plus, I was hoping to hide some of the glue marks on the vellum pieces. 😀 I also found a little gold heart die-cut for the mermaid to hold, a gold compass for the inside of the card, and a black-and-gold die-cut anchor piece inside a random pack of travel/beach die-cuts I’d just received. I let it all dry overnight but had to go back in the morning, shift a couple of things, and reglue. My twisted seaweed had righted itself, and one of the taller seaweeds I’d cut by hand was tilting precariously.

After the front was done, I had to do the inside. Thanks to guidance from the client, I knew which sentiment to use. I had just enough green vellum remnant left to cut out a tag that had a wispy or ocean feel to it, and I stamped the “Wishing You Oceans of Joy” sentiment from Elizabeth Craft Designs with SU Lost Lagoon ink (not normally something one can emboss with–goof #6). But it held okay on the vellum, at least long enough for me to pour Green Tinsel embossing powder over it and heat it all. It joined the compass on the inside of the card and I resisted the temptation to create more seaweed or pour more microbeads onto something. 🙂

I probably spent far too long on this card, but it was fun to work with the vision I had in my head and see it all come about. Now I just have to hope that the little recipient doesn’t shake off all the beads immediately!