This fun summertime card uses some retired Stampin’ Up DSP—Tasty Treats and Cupcakes & Carousels—along with an unnamed stamp set featuring puns (I used the sentiment and the small popsicle here), and I even incorporated a large popsicle from an adult coloring book. I colored the small popsicle with Stampin’ Blends alcohol markers (Balmy Blue, Light Calypso Coral, and Light BlackBerry Bliss) and I used Tuxedo Black Memento Ink for the sentiment and small popsicle. The Decorative Label Punch was used around the sentiment (which I then inked the edges of with a Crumb Cake Stampin’ Write Marker).
A bridal card for love-themed needs!
Welcome to another post for Amy K’s Inkin’ Krew Blog Hop for Tuesday, January 8! This month we are featuring the theme of love with Stampin’ Up products. I’m making wedding and anniversary cards for my local gift shop right now (along with other themes and random custom orders), so I was very excited to join this hop!
For several days now, I thought I knew what I was going to create for this blog. In the end, I did stick to my original (barely fleshed-out) idea, but did I ever find ways to complicate it. (I always do.) I definitely should have started on it earlier. But I had craft room organization on my mind this week and I got to it when I got to it.
I was able to use several current SU products as well as a couple of retired products and ones from other companies (oops!). The focal point of the card is the bride stamp from the “Wonderful Moments” stamp set, set off by a lace oval from the Delightfully Detailed Laser-Cut Specialty Paper pack and a background of Petal Promenade DSP.
The laser-cut paper is vanilla on one side and white on the other. Since my card base was white and the bride’s dress would be too, I chose to use the vanilla side of the lace oval. And then I decided it needed something else. It felt too plain and too neutral. I kept “seeing” pink with this stamp and card, but the last two wedding cards I created had pink hues in them, so I tried to use other colors.
I have to keep trying. I did manage to sneak in an orange and a dark purple…but there’s still pink. So when I was looking at the oval and trying out colors in my head, I started sponging Bundled Sage Distress ink onto it, thinking winter colors. But then I picked up Tattered Rose and sponged it on too. (Evidently those colors should have gone on in the reverse order.) I added a second layer and different sponging before I was done. And then I got an idea, when I realized that the ink was drying slowly enough to get onto my hand as I held the card. (This is subconscious Pinterest at work in my brain, I think. Lol!)
One of the retired products in my stash that I need to use more of is our Iridescent Ice Stampin’ Emboss Powder. I’ve only used it in small bits until now…but I remembered seeing others do a whole-scene kind of treatment with it. I wasn’t even entirely sure I remembered how this product worked since I bought it late in the game, but the paper was definitely ready to be treated – it was still inky. My friend E assured me that I could indeed use Distress inks for embossing. So I got out my catch-all tray and my coffee filter and proceeded to pour the Iridescent Ice powder overtop (hoping I was making the right decision and not ruining a lovely piece of paper) and then heat embossed it, as the label suggested, three times before I finally saw the powder changing and understood what it was going to look like or do.
Turns out I love this look. It reminds me of our Dazzling Diamonds Glimmer Paper except it’s not as thick and has slightly different colors. I’ll have to try this technique again sometime. I also appreciate how the pink and green sponged inks are still coming through the translucentness of the embossing powder. It’s faint, but it works.
With the lace oval paper finished, I turned my attention to the bride stamp. I chose Archival Basic Gray ink because it felt like black would be too harsh and bold against the soft oval. I had to stamp the bride several times with my stamp platform because it was the first time I’d used the stamp and I hadn’t prepared it even though I know better. So my outline got a little thicker than I’d intended.
After she was stamped, I watercolored the bride’s hair, skin, bow, and flowers with watercolor pencils and used an AquaPainter on those places afterward. For the dress, I decided to experiment with some Nuvo Crystal Drops (Ivory Seashell color) new to my stash. Since that is also translucent, I was hoping it would soften the lines of the dress if I covered them with the liquid. I later went back over the dress again, using a paintbrush to smooth out the Drops on the paper. I also took Wink of Stella to the bride’s bouquet (though I erred first and grabbed my White instead of my Clear. Once it dried, I realized what I had done and went back over the bouquet with Clear as well.) It sparkles more in person than in the photo.
So I had one finished oval and one watercolored, Nuvoed bride. I wasn’t sure how to treat the background behind her. In my mind I had seen her on white, but that seemed far too plain now. I thought of putting a watercolor pencil down as a background but couldn’t settle on which color. Blue for sky? (So she’s out in the open, looking at nothing?) Or some kind of background stamp to imitate wallpaper or wood planks? I then decided to think about the Graceful Glass vellum and hit upon an idea I’ll use at a later date, before the vellum led me to looking through my current DSP. I ended up fussy-cutting around her and placing her on patterned paper so I wouldn’t have to mask her for a background stamp or risk ruining something.
The paper I chose to use feels most like a sunset in front of my bride, and it even matched the flowers, hair, and bow I had colored before viewing this paper pack. (That actually happens to me a lot!) Because that was my best background option thus far, I cut (and then recut, due to first error) a notecard/A1 size of paper where the jagged stripe in the paper best flowed beside her dress and body posture. Once I had the background paper glued to the notecard card base, I played with the placement of my bride, attempting to center her and play off the “sunset stripe” to its best advantage while trying to cover the bottom of the dress with the sentiment I intended on using. (Many thanks to patient E for this stage, who was with me on video chat while I created the card!)
Something then made me think about the Rose Metallic Thread I had stored with my baker’s twine, and I decided to do a bow of some sort. I’m not very good at bows with delicate threads yet. I ended up laying ATG tape on the back of the sentiment and looping it around and sticking to the tape however it looked the best to me.
The gold-and-white “Best Wishes” sentiment came from a resist coloring pack from another maker. I just left it as is, since I had enough color going on already. It fit with the “brown” tones of the card anyway. The gold on the sentiment appears to have been embossed, though it came that way in the pack and I merely cut it out. I popped up the sentiment with its new metallic loops with Stampin’ Dimensionals foam dots, placing it right above the hollow circles at the bottom of the oval.
The last touch on the front of the card was the tiny little mini pearls I used on the buttons of her bridal dress. I had SU’s white mini pearls from the Notes of Kindness card kit on her dress originally but later changed to even smaller ones from Recollections.
The inside of the card has been kept simple to be size-appropriate for the notecard and also to leave room for the sender to write. I used the retired Petite Pairs stamp set with its “for the new Mr. and Mrs.” sentiment on a bit of the Petal Promenade DSP (from the first piece I’d cut the wrong direction by accident), the current Fresh Fig ink pad, and the gorgeous Stitched Labels Framelits Dies. And then I added two more mini Recollections pearls on the sides of the inside tag. 🙂 (Side note: the Petal Promenade DSP pack is one of my favorite things in this catalog. The papers are just so beautiful!)
If I had set out to create this exact card, even with all the detail, it wouldn’t have taken me very long. But creating from scratch and using trial-and-error means that sometimes happy accidents have to happen to lead the creator to the next step, which later seems so obvious. 🙂 I’m really quite happy with this card now, but there were moments when I wondered where I was going with it. Maybe you’ll find even faster ways to recreate this card. I’d love to see what you come up with! I think this card could be used for a bridal shower, a wedding card for the couple, or an anniversary card. It just depends on which sentiments we use.
Below are the current Stampin’ Up products I used on this card. If you need any of the supplies, just click on the thumbnail to go to my store or visit this link. I’d be happy to become your demonstrator! Sale-a-Bration (from now until March 31) is the best time of the year to stock up on products and earn others for free! Please use code JJBCPS4W for a free gift when you shop with me! (You can continue with the hop participants below the thumbnails.)
Thanks for stopping by my blog! To continue with the hop, see what Karen Finkle created by clicking on the Next button or visiting her link below. To go back to see Sue Prather’s card, click Previous or her link above mine. See you next time!
- Shirley Gentry: https://stampinwithshirleyg.com/?p=3079
- Jaimie Babarczy: https://wp.me/p79UhD-2sD
- Julie Johnston: https://wp.me/p8SzmQ-29L
- Karen Ksenzakovic: https://wp.me/paaNf4-h4
- Mary Deatherage: https://wp.me/p5snyt-70J
- Sue Prather: https://wp.me/p5yitZ-XU
- Connie Troyer: You are here!
- Karen Finkle: https://karenscardkorner.blogspot.com/2019/01/stampin-up-nine-lives-for-amys-inkin.html
- Amy Koenders: https://wp.me/p2SFwf-cTD
And this is how a unicorn led me to a mermaid.
Thanks to my niece’s unicorn birthday card, I got in a few more custom card orders. One of those was for a special mermaid birthday card. I get the craziest ideas in my head sometimes, without any inkling of how I’m actually going to accomplish them. And then, through trial and error and time and SMH-at-myself moments, eventually they come together–and hopefully I’m even pleased and kind of impressed that the whole thing didn’t flop. Such was the case with the mystifying mermaid.
I could see it in my head–a cute little mermaid on the outside of a wooden ship, peering through the porthole to see what she could see, much as I imagine Ariel would have done had she not been collecting artifacts in her grotto or spying on the dancing taking place on the deck of Prince Eric’s ship. The trouble was that I didn’t quite think through all the steps of just how to create it.
The ship wouldn’t be a problem to create, as I own the Stampin’ Up Hardwood stamp (current catalog) and the porthole and mermaid were only going to be so big (I didn’t have to create the entire ship). I began by cutting down a piece of Stampin’ Up Chocolate Chip (retired) cardstock to 6″x12″, scored it 6″ up, and folded it. (And then shortly thereafter I cut down that card base to 5.5″x5.5″.) I used SU Early Espresso ink (current) to stamp overtop the Chocolate Chip so the wood grain could be seen. I then looked at several circle dies on my die wall and decided that the double-circle die from SU’s “Sliding Star” Framelits (retired) had the spacing I wanted for the porthole. I centered the die on the now-smaller card base, put another piece of cardstock behind the card base so the marks in my die-cutting plate wouldn’t transfer to the inside of my card base, and ran it through (forgetting until then that the die would cut through both the base and the extra piece. Oops! Goof #1!).
(Side note: There are at least two ways to create a shaker card. The way I know best, I didn’t do. It would have been easier to cut a separate 5.5″ piece and make that the porthole piece with foam strips rather than cut through the base and do it all backward. But I didn’t think that far ahead. Goof #2.)
Once I had the hole cut into the card base, I had to make the porthole cover, which would need to extend over the hole slightly. I went back to my Chocolate Chip cardstock to find a remnant that would fit, placed the die on the paper, and traced around the inside circle. Then I grabbed one of my most favorite and very old tools (a layering tool from Stampin’ Up from waaaay back), put the smallest layering circle against the die, and dragged it around the die with a pencil through the center of the layering circle (it rolls around objects to make slightly larger mats). Then I cut the now-slightly-larger circle out of the cardstock by hand. Once I had both circles cut, I embossed the new porthole with a wood grain embossing folder, decided I wanted the debossed side up, marked where the mini brads should go, punched the necessary 1/16″ holes (it’s easier than forcing brads through the paper by hand), and placed my chosen brassy mini brads in their spots. And then I glued the porthole onto the card base.
But that still didn’t get me the shaker feature. And that’s when I realized that I was once again taking the hard road by not doing the way I already know (albeit not well). So I conferenced with my friend E, who happened to be on video chat with me while I crafted (there are some days I love technology!). And she proceeded to explain to me how to use my much-desired Fuse tool that I’d purchased, longed to use, put off using, and then started looking at in a rather intimidated fashion. Apparently one can make shaker pockets with a Fuse tool! I’d heard that somewhere but had never attempted it. And fortunately for me, I’d happened to find some Fuse Project Life pockets on clearance the last time I went to JoAnn Fabrics. Even better, I found them in my craft room without too much looking.
While the Fuse warmed up, I revisited the shaker elements I’d gathered a few days prior–different colors and shapes of sequins (the stars reminded me of starfish, and the gold, clear, and rose were the perfect shades); seed beads in clear and marine colors and clear Stampin’ Up microbeads (retired) for space in the shaker pocket; leftover gold, green, and red long confetti flakes from a Stampin’ Up card kit; gold, white, and green mica flakes (that I’d never tried using); gold glitter hexagonal flakes; and some white Rock Candy Distress Glitter from Ranger. I spooned various quantities of these things into the pocket–and put in too many (goof #3?)–but actually managed to work the Fuse tool correctly on the first try. The second try wasn’t as good, but I’ll practice now that I’m no longer scared of it. 🙂 I cut away the excess of the filled shaker pocket and asked E how to hide the thing in the card.
Since I wanted my mermaid to be looking at something inside the ship, I cut a large circle in a lighter color and stamped the background of a bookshelf and human objects with SU Bookcase Builder (retired), which would be seen through the shaker pocket; then I glued that to the back of the acetate piece in what I hoped would be the right position (since the shaker elements would and did move around). Then I took another remnant of Chocolate Chip cardstock, placed foam dots around the edges, and put it overtop the background and shaker pocket. And then I breathed a sigh of relief, because the thing actually shook around the way it was supposed to, even if I did probably put too much in it. I was hoping it would look like the outside of the porthole had collected some sea stuff there on the ledge as it moved through the water…but Miss Mermaid got what appears to be the amount that collects in a shipwreck! Oh well. Live and learn and stuff another envelope later.
So my porthole was done–and I’d previously colorized my little mermaid and her friends with watercolor pencils, an Aqua Painter, Adirondack Dimensional Pearls, Stickles, Nuvo Glitter Drops, and Distress Glitter Stickles. I’d actually tried to stamp her tail on some very nice flaked cardstock that reminded me of scales, but that didn’t work like I’d thought it would (and I should have known better anyway–another goof), so watercoloring and two layers of glitter glue ended up working for the tail instead. I fussy-cut them all out, glued the mermaid to the card front in between two of the mini brads in the porthole, and started trying to figure out my seaweed issue. In my head, I saw things floating near her on the outside of the ship, like her friends or the occasional sea life. I ended up with more things there than I’d intended, but I think it’s cute anyway.
I found some retired Stampin’ Up ribbon in Emerald Envy, Pistachio Pudding, and Coastal Cabana that was ruched or ruffled, so I thought that might work for seaweed. I didn’t think I had any seaweed dies or stamps–but I found dies that would have worked better after the card was done (goof #5). Too late. So I trimmed up the ribbon (cut some of it in half and twisted others) and found some greenery dies on my wall that I thought could pass for seaweed. I used a couple of miscellaneous green vellum sheets of paper with the dies and then attempted to glue them all together with Zots and Tombow Multi (green and white) Glue.
But I couldn’t stop there. I had to add beads and microbeads and mica flakes to the outside bottom edges too. The inside of the shaker can’t have all the fun. Plus, I was hoping to hide some of the glue marks on the vellum pieces. 😀 I also found a little gold heart die-cut for the mermaid to hold, a gold compass for the inside of the card, and a black-and-gold die-cut anchor piece inside a random pack of travel/beach die-cuts I’d just received. I let it all dry overnight but had to go back in the morning, shift a couple of things, and reglue. My twisted seaweed had righted itself, and one of the taller seaweeds I’d cut by hand was tilting precariously.
After the front was done, I had to do the inside. Thanks to guidance from the client, I knew which sentiment to use. I had just enough green vellum remnant left to cut out a tag that had a wispy or ocean feel to it, and I stamped the “Wishing You Oceans of Joy” sentiment from Elizabeth Craft Designs with SU Lost Lagoon ink (not normally something one can emboss with–goof #6). But it held okay on the vellum, at least long enough for me to pour Green Tinsel embossing powder over it and heat it all. It joined the compass on the inside of the card and I resisted the temptation to create more seaweed or pour more microbeads onto something. 🙂
I probably spent far too long on this card, but it was fun to work with the vision I had in my head and see it all come about. Now I just have to hope that the little recipient doesn’t shake off all the beads immediately!