A throwback to a masculine lightbulb card I made. previously.
Since I’m recovering from being sick and haven’t been in the craft room, I thought I’d take the next few posts to show cards I previously created and didn’t post to social media. Some of them were or are listed on my Etsy shop and some have sold privately. . . . I had fun creating this masculine card with retired materials from SU. I inked and distressed the edges and used Distress Stickles on the filament inside the light bulb. Thought I’d “grunge” it up a bit. . . . #thelittlewhatnotshop #constantlycreating #masculinecards #lightbulbs #youlightupmylife #summerstarfruit #sudsp
Welcome to another blog post for Stamp with Amy K’s Inkin’ Krew Blog Hop! We have a very talented lineup for you this week. Thanks for stopping by to see what I created. 🙂
Our theme this month is “Celebrate Spring,” in whatever way we want to interpret that. Because I’m also making cards for my local gift shop, I chose to go with the “new birth/baby” idea. I couldn’t wait to get my hands on Stampin’ Up’s “Perfectly Paired” cling stamp set when it came out—it’s all about babies and features a Noah’s Ark image, one of my favorite themes for little ones. This stamp set (so far as we know) is only available for a couple more months since it’s in the current Occasions catalog.
Since I knew this would be a nice card and likely given with a gift, I started off by grabbing a lovely, thick envelope from my stash and then made the card base a 5×7 size to match it, using SU’s Shimmery White cardstock. I chose Shimmery White because I wanted to color the image.
Well, as usual, although I was aiming for simple, I evidently have to complicate things. And I made plenty of mistakes to cover up. My “MO,” I’m starting to think.
It occurred to me that there were waves under the ark in the stamp but I thought it might look a bit “adrift” all by itself on a flat card base. So I got some of my new Ice Blue Matt Mirror Luxury Cardstock (Crafter’s Companion) and cut it down, leaving about a 3/8″ border of white on the base for the “shimmery” part of the “Shimmery White” to show. Then I embossed some waves onto the mirror card with my Cuttlebug (“Musical Flourish” embossing folder).
My piece of mirror card was slightly longer than the embossing folder, so I embossed both ends and then attempted to hide the faint line the edge of the folder left with some retired 1/2″ SU Pacific Point ribbon. I wrapped the ribbon around the edges to give it a neater, more finished look. I believe I used my 1/4″ Scor-Tape down the middle of the back of the ribbon.
I didn’t actually cover the line left by embossing because the ribbon wasn’t wide enough, but hopefully I distracted anyone from looking too closely. I tried to keep the embossed design from overlapping when I ran it through the Cuttlebug, and the embossed line really isn’t that bad, but it’s mirror card so everything shows…. 🤷♀️ Whether I needed the ribbon or not, it was an attempt to make the card look better, and I built the rest of the design from there.
After fiddling with the layout, I decided to also mat the mirror card with Pacific Point cardstock to bring more of the ribbon color in for balance. I left 1/8″ of the mat showing, glued the mirror card to the mat, and then glued the combo onto the card base. I used my ATG tape gun for these. Then I set aside the card so I could concentrate on the image. And here’s where things got interesting.
I wasn’t sure whether to use my Stampin’ Blends alcohol markers to color it or my usual: watercolor pencils with either an Aqua Painter or a Blender Pen. I figured I’d do one of each type of coloring and leave the extra in my “card parts” bin for faster cardmaking later. Because those mediums require different inks to control the color, I stamped the ark image from “Perfectly Paired” once in Memento Tuxedo Black (for the alcohol markers) and once in SU’s Archival Basic Black (for the watercoloring). I labeled the backs with a pencil so I’d know which went with what…and then promptly started coloring the wrong image with the wrong medium because I was “doing,” not “thinking.” 🙄🤦♀️
Surprisingly, the Archival Basic Black didn’t smear too badly with the alcohol Blends, but I had been careful about not coloring over the lines, just because I was carefully coloring. It wasn’t until I smeared the lions’ whiskers a little that I even realized I’d switched the pieces. (Live and learn?) But smearing lines is why we are supposed to use Memento ink with alcohol markers. Lesson learned.
And then I discovered that I don’t yet have enough Blends to finish coloring this particular image. 🤦♀️🤪 I’ve been building my collection a little at a time, and although the Smoky Slate and Basic Black Combos have each made it to my purchasing list at least once, I ended up dropping them for things I wanted more. (Sacrifices!) Therefore, I have to stop coloring the image until I can get those and finish. For the record, though, this was as far as I got, and I really like this medium. (If you look closely, you can spot my whiskers accident.)
So I had to put all that away and regroup. I couldn’t remember whether Memento would smear if I got it wet (since it is a water-based ink), but I just wanted to get something going that I could use. I mentally crossed my fingers and dove in. I could always stamp another one if I had to.
Fortunately, it worked just fine—no smearing that I can tell. My coloring isn’t perfect, but at least the lines didn’t move. I went with the Aqua Painter to smooth out the watercolor pencil lines too…though in hindsight, I should have tried the Blender Pen, for better control in small places. Or just chucked it all and gone straight for my stash of Stampin’ Write markers. (I hope you’re learning from my mistakes! This veteran scrapbooker is still learning so much about cards!)
I will admit to a little cheating as well. I knew I had a Pacific Point chalk in my arsenal. As my retired SU watercolor pencils are unlabeled, I went for the chalk to color the water (with my Aqua Painter) so I could be all matchy-matchy instead of throwing off the shades by introducing some other blue. 😊 Also, I lightly colored the background a sky blue so that it wasn’t stark white paper. If I was coloring waves, I had to color sky too, right? But it’s hard to see in the picture.
So this is where I ended up with it (including doctoring the zebras with white Smooch paint and a Memento pen in desperation after watercoloring and black got the better of me). Coloring was the longest part and why it may be better to use some sort of marker next time. 🤷♀️ Another lesson learned!
Once the image was done and dried, I covered a good portion of the back of it with my 1/2″ Terrifically Tacky Tape (TTT), which is just like SU’s Sticky Strip. I did this to combat the curvature of the paper that happens once water goes onto it. Then I peeled off the tape backing and centered it in the section above the ribbon on the card front.
I had found some black, glittered chipboard faux photo corners when I was debating about the layout, so I glued those overtop the corners of the image with my Art Glitter liquid adhesive. And then I pulled a metal bar sentiment (“celebrating your arrival”) out of the heap of baby ephemera in front of me on my desk, and I adhered it to the top of the ribbon with more 1/4″ Scor-Tape. The front was done. Finally. And I’m even happy with it. 😂 I especially love how the foil look of the matt mirror cardstock shines and changes depth and color in the light. I so love using specialty materials to make cards pop.
(Oops! You can see that faint embossed line in this pic! Well, it’s not that noticeable in person. 😊)
For the inside of the card, I used the “Two by two we welcome you” sentiment from “Perfectly Paired,” stamping it with VersaMark on Shimmery White cardstock before heat embossing it with “Blue Tinsel” embossing powder from my stash. (No idea who made that; I’ve had it for years.) It was the closest embossing powder I could find to the Pacific Point color I’d been using, and it does actually look glittery, like tinsel, and has some texture to it once embossed. I then backed the white sentiment piece with a die-cut Pacific Point cardstock tag from a Spellbinders die (“Fancy Tags Two,” I believe. #neverstopmaking). I think it turned out quite lovely.
To finish off the card, I took a strip of dotted blue (SU Pool Party) cardstock from the retired Tutti-Frutti Cards and Envelopes pack and attached it to the bottom of the inside. I also cut off a small strip of matt mirror cardstock to top it. And then I found two goofy pink flamingo stickers in my stash from Sandylion and stuck them to the bottom right corner just for fun, to carry through the theme. I was looking for my smaller Noah’s Ark stamp for the corner, but I have to keep looking. 🤔🤷♀️
I haven’t decorated the envelope yet, but I’m thinking of stamping a row of various animals across the horizontal bottom (under the address section) as a sneak peek to the theme.
Below the list of hop participants are the current products I used in my card (or similar ones) that you can purchase through my online Stampin’ Up store if you wish to own any. (Please use host code 6WPHJ2MC when you check out.) Don’t forget that we have until March 31 to get free gifts from Stampin’ Up through Sale-a-Bration with orders of $50 or more before tax and shipping! There are some awesome reward products available! I also give free gifts to those who order through me. 😉
Thanks again for visiting today. I hope my mistakes keep you from making your own! Feel free to post questions or comments. 🙂
To continue with our hop and visit Jaimie Babarczy’s blog offering, click Next or her name in the list below. To view what Karen Ksenzakovic created, click Previous or her name. Thanks for hopping along with us!
Hopping with Amy’s Inkin’ Krew for a Birthday Theme!
Hello again! It’s “birthday month” for Amy’s February blog hop! 🙂 I’ve made a card using the “Free Cake” stamp set to show you this time.
I all too often create on a quick timeline, but I had to fly at double speed that night so I could first listen in on our team meeting (while driving home…shh!) and then get my blog link up to the group before the deadline. And I had to create the card, or at least know where I was going with it, before I could do the link. What that means is that I made a REALLY SIMPLE CARD that any of you can recreate. 🙂 #simplestamping for the win.
I guess I have a wacky sense of humor. I like puns and sarcasm and slapping-my-knee funny and maybe slightly snarky stuff. I have several stamp sets in my possession that reflect this. And I recently acquired another one—the “Free Cake” set. It is current in the 2018-2019 Annual Stampin’ Up Catalog (page 70, to be precise). I was a little torn about which combination of stamps to use, so I just had to pick one and start. The good thing about owning the stamp set is that I can make the other card percolating in my brain at any time. 😉
I’m actually making this one for our team swap, which requires me to use current products in case the receiving demonstrator wants to use it on display. This is a big one for me to remember, because I have lots of retired products at my fingertips that I still love to use too. I use things up sparingly. 😉 And I confess that the one I’m sending for the swap is actually my second attempt. I didn’t like how I forgot to turn one of the radios when I was stamping, so I redid it since it may be used for demonstration. Not that it really matters. Either card is fine. I’m merely fighting my perfectionistic streak. 🙂 (And it was such a quick card that I had time to make a second!)
I’ve used the 2018-20 In-Colors (Lovely Lipstick, Grapefruit Grove, Pineapple Punch, Call Me Clover, and Blueberry Bushel) for inks, as well as our Archival Basic Black. I’m just now realizing that the Archival pad retired. I should have used the Memento Tuxedo Black ink. Oops. 😦 I also used the fantastic Thick Whisper White cardstock for my card base.
I’m a child of the ’80s…mostly. So I remember the big boomboxes and all the other fun things we grew up with. It is unfathomable to me how I could be so OLD already—like, practically middle-aged. Ugh. I don’t even like typing that. But I do love the big transistor radio featured in the stamp set probably because of it. I stamped with the radio rather randomly (with a bit of placement 😉 ) in most of the In-Colors mentioned above. I saved the Pineapple Punch for the stars around the radios on the swap card (though the first card has both). If I make it again, I think I’ll stamp the stars while I’m stamping the radios. It was a bit tricky to place the stars afterward. Sometimes I wiped off part of the stamp so I could work around the radios and not be stamping so many stars at once. (You should see my inky fingers!) I did also use a bit of Lovely Lipstick Stampin’ Write Marker to one of the radios on the initial card when I didn’t get it inky enough the first time, though that card is pictured at the end.
I had already decided to split the matching sentiments between the front and the back, so I knew I was going to put “You’re not old…” on the front and “you’re RETRO!” on the inside. That meant I could keep the front simple and place the opening phrase underneath the featured black radio, which I then stamped on a separate piece of paper, matted with a scrap of Classic Garage Designer Series Paper (the oil/gas can sheet), and popped up with Stampin’ Dimensionals. I chose this DSP because it reminded me of the ’80s stonewashed look up close and was also black, meaning I wasn’t featuring one color over another.
Before I glued the stamped black radio to the DSP, I distressed the white edges with my scissors first. I love the distressed look and don’t always remember to do it. But since this is a gender-neutral card and could go to men, it seemed appropriate. Truthfully, it was also because I need to change the blade on my trimmer, so I was either going to have to trim off the leftover fuzzies with my scissors or make them worse intentionally. 😂
Stampin’ Up has been asking us to create simple cards anyone can make with just a few supplies and to hashtag it with #simplestamping…so this is my first try at that. This month they, too, are focusing on birthday cards and suggested that we use only ink, paper, stamps, and some DSP…so I intentionally didn’t embellish the card further. The front was done.
For the inside, I had to add the “you’re RETRO” saying, but I didn’t want to put only the words, and I also wanted to vary how I do the insides of cards. I tend to default to a fancy-edged die-cut with the words inside and DSP scraps. To change it up a bit, I chose one of the IC inks, Lovely Lipstick, and stamped off on scrap paper first to lighten it up before stamping it straight onto the card (skewed). Then I used my stamping platform to line up the “retro” sentiment and added the “Happy Birthday” from the same set as well. I stamped the words in the Archival Basic Black again and then stamped two star bunches to frame the entirety. (For the inside of the first card, which was now being made simultaneously with the swap card, I used Grapefruit Grove ink without stamping off, and that actually turned out better because it’s a lighter color than the stamped-off Lovely Lipstick.)
I attempted to pretty up the blank envelopes as my team members do. The front turned out great with a Lovely Lipstick tilted radio and two bunches of stars near it, but the flaps–nothing but stars–gave me some trouble. They’ll pass, but I’d redo them if they were more important.
As far as that other card goes, it is not spoken for yet…though I’m tempted to give it to my also-aging brother when his day comes around. What are siblings for, right? 😂😜
The products I used for these cards will be at the bottom of the post. If I can help you order or if you need a Stampin’ Up demonstrator, please feel free to comment or email. I’d love to be of assistance. Sale-a-Bration is the best time of the year to shop because you earn free products with every $50 spent. New choices hit the website on February 15, too. 😁 You can shop with my direct store link in the sidebar.
Thanks for joining me on the blog hop today! To continue “hopping” with our birthday blog group, click the Previous button to go visit Karen Finkle…or click Next to see what Sue Prather created. Links are below as well. Happy crafting!
Hello again… I thought I’d pop on while multitasking and detail a couple of simple cards I made recently. I got distracted last week before my husband and I went to Florida for his job (Florida in January from Ohio – huge perk, right? Well, if one stays healthy, yes. 🙂 ). When I should have been packing or finishing a card order, I ended up pulling things together for a card I didn’t anticipate making. Then last night I made another one since the first was so easy and I had a second stitched piece yet to use. 🙂
Since I’ve started selling cards and making custom items, I’ve been looking for ways to make more cards faster to keep more customers happier. I’m not really a “fast” card creator; I spend too much time in the details that I love. Creating keepsakes is really my thing, but most customers don’t need that much hoopla or focus on cards they’re just sending to be thoughtful. So I have started reserving that “type” of card for specialty or specific occasion ones, cards that the recipients will love and treasure.
Through this process, I’ve figured out that card kits, though not my first love, are rather useful for making lots of cards with limited supplies and time, and when the kits come with a stamp set too, all the better. Today’s cards were not from a kit but rather from a DCWV pad of paper that was made up of various stitched designs, so it’s a similar idea. I bought the pad when I was first starting out in cardmaking and thought then that it would be a cheap way to have several nice card fronts right there at my fingertips. I’m happy to report that my hunch was correct and I only have four left to use up, which feels great. 🙂 I love the look of stitchery, being a “soft crafter” myself. These cards are the same flowered design on kraft but they look totally different because of the papers and colors I chose.
The original green, yellow, and blue card has a green Mossy Meadow card base from Stampin’ Up. I paired the base and flower panel with some Designer Series Paper (DSP) from Stampin’ Up’s retired “Going Places” pack. I still have lots of useful papers in it, and one of its colors is Mossy Meadow. I don’t have much of that shade, so when I also found a Mossy Meadow grid paper in the same pack and they coordinated perfectly, as Stampin’ Up does, I stopped overthinking and put them together. It felt like it was headed toward a masculine or gender-neutral kind of card, which I don’t make as often as I should.
My detailed self, however, needed some kind of embellishment near the stem of the flower to accent where I was going to place the sentiment, so next I picked up what little remains of my Copper Twine and wrapped it around the DSP/flower panel a couple of times before gluing the panel–off-center–onto the card base, to leave room for the large “Thanks.” I just love that twine and wish I had more of it, but it was from the Notes of Kindness kit from Stampin’ Up. (Mental note: must order refill to get more!)
In keeping with the contemporary, simplistic, somewhat masculine style of the card, I needed the sentiment to be brief and obvious. The “Thanks” stamp also from the Notes of Kindness card kit was just the right thing. I used my Mossy Meadow Stampin’ Spot inch-sized ink pad and stamping platform and had it done in a jiffy. For the inside, I laid down a white paper to write on (just eyeballed a measurement for borders I liked and cut it to size with my trimmer), before using a Spellbinders die for the sentiment spot on the inside and going around the edges of it with my Mossy Meadow marker before gluing it. I used Stampin’ Up’s current Very Vintage (host only) stamp set for the “You’re a blessing” wording and accented it with three dark rhinestones from Recollections in my stash. And I added a strip of the Mossy Meadow grid paper to the bottom of the white piece for some color and continuity and a piece of matching DSP to the envelope flap to dress it up a bit. That’s it!
It was so simple that I made another card last night with the remaining flower panel. Since I had used up the grid paper with the last card, I had to go a different direction for the new one. I have a photo box full of cut-and-scored A2 card bases, and when I remember that I have them, I pick one of those out of the box rather than take time to cut and score a new one or two from my loose cardstock sheets. I thought a retired Tip Top Taupe card base from the photo box matched the kraft piece well enough. Then I had to find papers to match. I started riffling through my loose stack of random 6×6 papers just because they were behind my chair and I really should use them up. They come from swaps or generous RAK-givers or are leftovers that would get lost in my patterned paper drawer because of their size.
Included in that stack were three coordinating 3×6 sheets someone had once sent me in the mail. And one of those was the houndstooth pattern I decided to use for the new card. I’m not sure what is different about the sizing between the two cards, but it seemed like it wasn’t working to fit a second piece of patterned paper and sentiment with the houndstooth the way it had with the marbled and grid papers on the first card. Losing a layer bothered me at first, but I made myself continue and (again) stop thinking and just go with it.
(One way to faster cards is to stop looking for the “perfect” thing and use what I know matches and will work. Yes, there are probably lots of options in my craft room, but how much time do I really want to waste, sifting through papers and getting paper cuts in the process? This is a battle I wage constantly with myself. No one will really know the difference anyway, whether it should have been THIS paper over THAT paper. One paper is likely about as good as the other, unless they’re just hideous choices. 🙂 Even saying that makes me feel like I care less than I should, which I do not like. But it comes down to time, always.)
So. Since one paper worked just fine and didn’t really require another paper with it, I stopped frowning and cut a couple of strips to attach to the sides of the flowered panel. Then I did the same kind of wrapping with baker’s twine–white this time, because I really didn’t want to use up the rest of the copper–and pulled out the Mossy Meadow sentiment I’d created in duplication when I stamped the first one last week. 🙂 I’ve started keeping a drawer full of blank tags and another of sentiments as a way to speed things up, and so far that’s working! I added three of SU’s Metallic Pearls (current item–love them) to the kraft around the flower for some pizzazz.
I sold the first card already, but this one was going to a special person as a thank-you for a very thoughtful Christmas gift she’d sent me (yes, I know, it’s February). So I had a certain sentiment for the inside in my mind, but I couldn’t find it on my shelves. It’s probably in the ones I stacked aside that are baby-, wedding-, or general-themed, for my upcoming gift shop cards. I’m really going to need to separate those. I keep missing particular stamp sets. I searched my shelves for similar options and came up with one from a current SU set called Hanging Garden. It’s the second time I’ve used it, but I think it’s going to be a favorite: “To one of the loveliest people I know.” And when I use it, I mean it. (That’s one of the nicer things about stamping these days–designers are doing a wonderful job with creating sentiments from the heart for all kinds of situations. I feel like we have more options these days than we used to.)
I stamped the Hanging Garden sentiment in Mossy Meadow on a sheet of white to match the sentiment on the outside and then cut another strip of houndstooth paper to accent the edge. Nice and simple, good for male or female. I’m happy to report that it has already been mailed and is winging its way to Missouri (higher postage notwithstanding).
I feel rather eager to continue using those stitched panels, so you may see more from me in this vein. There’s a certain feather floating around in my mind, and I keep mentally sifting through sentiments that would go with it. But for now I must focus on a fox card and two birthday cards this weekend. The lemons are done (blogs to come), and so are J’s wedding and sympathy cards (though two more Thinking of You are also on the list). And the Etsy sale is on (10% off!) and the order to S is wrapping up, so things are moving along. Life feels good right now. 🙂 Thanks for coming along for the ride.
I was recently commissioned to create a custom sympathy card for a woman’s special friend who lost her daughter. My customer and I texted about various options and decided to go with a green theme, the gold-foil “Sending Love & Sympathy” square sentiment by Anna Griffin that you see here, and the cream-backed embossed rose image on the left of the card.
Initially, the rose image was entirely cream-colored, but it just wasn’t showing up well once I backed it with the Petal Promenade Designer Series Paper from Stampin’ Up. It faded away in the background instead, which wasn’t good for a focal piece. So I brought out my retired Stampin’ Up chalks and lightly spread some corresponding chalk colors over the raised areas on the rose (hoping I wouldn’t get too heavy with it, as I only had one of it!). I used a couple of the chalk applicators that comes with the set, but I have also used Q-tips in the past. I think the rose was a scrap from a mass-produced card. I decided to upcycle it. 🙂
Technically, I created everything else first before I started coloring the rose. I got a piece of Mossy Meadow cardstock, measured what I would need for a 5×7 card, sliced off the excess, and scored it where needed. When I was looking for Mossy Meadow DSP (of which I do not have a lot) so I could match the card base, I found this grid paper in the retired Going Places pack from last year. I thought it would work perfectly for a subtle pattern with some movement, yet not be a plain solid and still work with a busier pattern on top of it.
The grid paper was the perfect paper once I spotted the current Petal Promenade DSP. I simply adore that paper pack. The different kinds of flowers in it are SO beautiful and realistic. My challenge for this card was to show some of the gorgeous paper but not overshadow the focal piece of the solitary rose.
Since I accidentally cut the rose piece a little shorter than necessary (initially thinking I’d be going with an A2-sized card), I then had to rethink how to do the Petal Promenade DSP. But showing a little more at the top and bottom did give a better idea as to what the paper looked like. I just decided to go with it and see where I ended up. I took the rose piece and moved it all around the edges of the 12×12 piece until I found which section of paper suited me best. I didn’t want the large ranunculus blooms to be right beside the rose bloom, and I was trying to precisely place the greens as well, so that pinks and purples showed also.
I also tied a scrap of 1/8″ velvet Blackberry Bliss ribbon around the stem section of the rose and kept the knot in place with a Bling Zot. Then I matted the gold-foil sentiment from Anna Griffin with a plain piece of SU Mossy Meadow cardstock so that the piece would show up better against the DSP and match the card base.
When “sketching” out the card in my head at the start, I “saw” the strip of paper and rose at the left and the block sentiment down on the lower right. After I made the card a 5×7, that empty space of just grid DSP seemed rather empty. I wanted something there to fill the space, but stamping was going to be difficult to accomplish with the paper being so dark. I decided to riffle through my doilies and other embellishments to see what I could put there to take up space, and I had some retired gold SU doilies that were just the right sizes. I chose two so I could extend the largest one out far enough to feel balanced in the space and then layered the smaller one atop it. Then I added a half of a small one underneath the sentiment as well.
I accented with Gold Faceted Gems from Stampin’ Up, which are current. There are a lot in the pack, so I’m in no danger of using them up yet, even though I’ve used several each time I craft with them. 🙂 The gems bring out the subtle gold foil in the sentiment.
On the inside of the card, I placed a random pink glitter paper strip I had been moving around my desk (it might be from a Martha Stewart 12×12 paper pack), and then, more intentionally, I cut out a blank, flowered sentiment square also from the Petal Promenade DSP pack. My customer and I had decided to use the Sylvana Rossetti quote from the retired SU Love and Sympathy stamp set, and it fit perfectly inside the square. I used Mossy Meadow for the ink color. I was thankful to have used my stamp platform so that I could reink it if I needed to (and I did).
Some of my Stampin’ Up team members like to decorate their envelopes. I do it once in a while, but I generally forget to by the time I create and am ready to photograph and move the card on its way. This time I really wanted to show more of that beautiful Petal Promenade paper and make the card really feel special and coordinating with its envelope, so I took the time to measure and cut a section for the flap. The paper is simply too pretty to hide, and this way it won’t cost extra at the post office, as doodads on the front of the card will (unless they are flat like images stamped onto it).
Thanks for stopping in to see my work! Below are some things that can be used to create a similar card.
Remember that for every $50 purchased from Stampin’ Up until March 31, you can get one free Sale-a-bration item! They have some fantastic choices for us, too. In addition, for every $50 spent, you also get a free item from me – your choice up to $10 worth. Please use my code JJBCPS4W when you order. It’s the best time of year for Stampin’ Up. You don’t want to miss this. 🙂
Welcome to another post for Amy K’s Inkin’ Krew Blog Hop for Tuesday, January 8! This month we are featuring the theme of love with Stampin’ Up products. I’m making wedding and anniversary cards for my local gift shop right now (along with other themes and random custom orders), so I was very excited to join this hop!
For several days now, I thought I knew what I was going to create for this blog. In the end, I did stick to my original (barely fleshed-out) idea, but did I ever find ways to complicate it. (I always do.) I definitely should have started on it earlier. But I had craft room organization on my mind this week and I got to it when I got to it.
I was able to use several current SU products as well as a couple of retired products and ones from other companies (oops!). The focal point of the card is the bride stamp from the “Wonderful Moments” stamp set, set off by a lace oval from the Delightfully Detailed Laser-Cut Specialty Paper pack and a background of Petal Promenade DSP.
The laser-cut paper is vanilla on one side and white on the other. Since my card base was white and the bride’s dress would be too, I chose to use the vanilla side of the lace oval. And then I decided it needed something else. It felt too plain and too neutral. I kept “seeing” pink with this stamp and card, but the last two wedding cards I created had pink hues in them, so I tried to use other colors.
I have to keep trying. I did manage to sneak in an orange and a dark purple…but there’s still pink. So when I was looking at the oval and trying out colors in my head, I started sponging Bundled Sage Distress ink onto it, thinking winter colors. But then I picked up Tattered Rose and sponged it on too. (Evidently those colors should have gone on in the reverse order.) I added a second layer and different sponging before I was done. And then I got an idea, when I realized that the ink was drying slowly enough to get onto my hand as I held the card. (This is subconscious Pinterest at work in my brain, I think. Lol!)
One of the retired products in my stash that I need to use more of is our Iridescent Ice Stampin’ Emboss Powder. I’ve only used it in small bits until now…but I remembered seeing others do a whole-scene kind of treatment with it. I wasn’t even entirely sure I remembered how this product worked since I bought it late in the game, but the paper was definitely ready to be treated – it was still inky. My friend E assured me that I could indeed use Distress inks for embossing. So I got out my catch-all tray and my coffee filter and proceeded to pour the Iridescent Ice powder overtop (hoping I was making the right decision and not ruining a lovely piece of paper) and then heat embossed it, as the label suggested, three times before I finally saw the powder changing and understood what it was going to look like or do.
Turns out I love this look. It reminds me of our Dazzling Diamonds Glimmer Paper except it’s not as thick and has slightly different colors. I’ll have to try this technique again sometime. I also appreciate how the pink and green sponged inks are still coming through the translucentness of the embossing powder. It’s faint, but it works.
With the lace oval paper finished, I turned my attention to the bride stamp. I chose Archival Basic Gray ink because it felt like black would be too harsh and bold against the soft oval. I had to stamp the bride several times with my stamp platform because it was the first time I’d used the stamp and I hadn’t prepared it even though I know better. So my outline got a little thicker than I’d intended.
After she was stamped, I watercolored the bride’s hair, skin, bow, and flowers with watercolor pencils and used an AquaPainter on those places afterward. For the dress, I decided to experiment with some Nuvo Crystal Drops (Ivory Seashell color) new to my stash. Since that is also translucent, I was hoping it would soften the lines of the dress if I covered them with the liquid. I later went back over the dress again, using a paintbrush to smooth out the Drops on the paper. I also took Wink of Stella to the bride’s bouquet (though I erred first and grabbed my White instead of my Clear. Once it dried, I realized what I had done and went back over the bouquet with Clear as well.) It sparkles more in person than in the photo.
So I had one finished oval and one watercolored, Nuvoed bride. I wasn’t sure how to treat the background behind her. In my mind I had seen her on white, but that seemed far too plain now. I thought of putting a watercolor pencil down as a background but couldn’t settle on which color. Blue for sky? (So she’s out in the open, looking at nothing?) Or some kind of background stamp to imitate wallpaper or wood planks? I then decided to think about the Graceful Glass vellum and hit upon an idea I’ll use at a later date, before the vellum led me to looking through my current DSP. I ended up fussy-cutting around her and placing her on patterned paper so I wouldn’t have to mask her for a background stamp or risk ruining something.
The paper I chose to use feels most like a sunset in front of my bride, and it even matched the flowers, hair, and bow I had colored before viewing this paper pack. (That actually happens to me a lot!) Because that was my best background option thus far, I cut (and then recut, due to first error) a notecard/A1 size of paper where the jagged stripe in the paper best flowed beside her dress and body posture. Once I had the background paper glued to the notecard card base, I played with the placement of my bride, attempting to center her and play off the “sunset stripe” to its best advantage while trying to cover the bottom of the dress with the sentiment I intended on using. (Many thanks to patient E for this stage, who was with me on video chat while I created the card!)
Something then made me think about the Rose Metallic Thread I had stored with my baker’s twine, and I decided to do a bow of some sort. I’m not very good at bows with delicate threads yet. I ended up laying ATG tape on the back of the sentiment and looping it around and sticking to the tape however it looked the best to me.
The gold-and-white “Best Wishes” sentiment came from a resist coloring pack from another maker. I just left it as is, since I had enough color going on already. It fit with the “brown” tones of the card anyway. The gold on the sentiment appears to have been embossed, though it came that way in the pack and I merely cut it out. I popped up the sentiment with its new metallic loops with Stampin’ Dimensionals foam dots, placing it right above the hollow circles at the bottom of the oval.
The last touch on the front of the card was the tiny little mini pearls I used on the buttons of her bridal dress. I had SU’s white mini pearls from the Notes of Kindness card kit on her dress originally but later changed to even smaller ones from Recollections.
The inside of the card has been kept simple to be size-appropriate for the notecard and also to leave room for the sender to write. I used the retired Petite Pairs stamp set with its “for the new Mr. and Mrs.” sentiment on a bit of the Petal Promenade DSP (from the first piece I’d cut the wrong direction by accident), the current Fresh Fig ink pad, and the gorgeous Stitched Labels Framelits Dies. And then I added two more mini Recollections pearls on the sides of the inside tag. 🙂 (Side note: the Petal Promenade DSP pack is one of my favorite things in this catalog. The papers are just so beautiful!)
If I had set out to create this exact card, even with all the detail, it wouldn’t have taken me very long. But creating from scratch and using trial-and-error means that sometimes happy accidents have to happen to lead the creator to the next step, which later seems so obvious. 🙂 I’m really quite happy with this card now, but there were moments when I wondered where I was going with it. Maybe you’ll find even faster ways to recreate this card. I’d love to see what you come up with! I think this card could be used for a bridal shower, a wedding card for the couple, or an anniversary card. It just depends on which sentiments we use.
Below are the current Stampin’ Up products I used on this card. If you need any of the supplies, just click on the thumbnail to go to my store or visit this link. I’d be happy to become your demonstrator! Sale-a-Bration (from now until March 31) is the best time of the year to stock up on products and earn others for free! Please use code JJBCPS4W for a free gift when you shop with me! (You can continue with the hop participants below the thumbnails.)
Thanks for stopping by my blog! To continue with the hop, see what Karen Finkle created by clicking on the Next button or visiting her link below. To go back to see Sue Prather’s card, click Previous or her link above mine. See you next time!
While it seems like all I am making right now, when I have time to get into my craft room, is wedding, baby, bee, and lemon cards (for the gift shop and a custom order), I’ve been needing to do up another sympathy card as well. I rarely have a chance to make anything for my friends and family besides birthday and sympathy, to be honest, and those never stop coming. And although it was in the back of my mind to make a sympathy sooner rather than later, this card sort of fell together by accident.
The gorgeous sage green/peach/vanilla/white matted rose piece was in the last RAK I received from a crafty friend. I think it is a piece that came from a mass-produced card and was upcycled, because the leaves are even made of gold embossed foil. It really is beautiful. I had laid it aside because the mat was coming up and looked a tad larger on one side. One night I fixed it and absentmindedly put adhesive on the back before I realized I hadn’t prepared anything for it to go on…so I kept shuffling it around my desk for a few days, upside down so it wouldn’t stick to things. 🙂
I was actually searching for papers for another wedding card when I spotted my new pack of Petal Pink and white Beautifully Detailed Laser-Cut Specialty Paper” (148812, $14) that is in the new 2019 Occasions catalog (orderable as of January 3)–and it matched perfectly with the rose piece I had just moved…again. (The specialty paper pack includes eight sheets, four each of two design types. One type is a full 12×12 sheet that looks like filigree swirls, and the other type is full of elegant sections that can be cut into card fronts, borders, or accents.)
Once I confirmed that the pieces matched, I carefully cut away one of the card front pieces that looked the best when I placed the rose on top of them to test them (on top of the plastic bag holding the specialty paper, since I already had adhesive in my way). Then I found a piece of Thick Very Vanilla cardstock, cut it in half, and scored both, using one as my card base. And then I laid more adhesive on the back of the rose piece, just in case, before adhering it first to the laser-cut paper and then to the card base. The laser-cut paper I chose has a large opening in the middle, which the edges of the green mat just barely covered on the sides, so the adhesive went right through to the base.
I almost left the borders of the specialty paper free without gluing them, but I was afraid they would get creased since they’re so delicate, even though they’re a good weight. So I did take a bit of my Art Glitter fine-tip glue to tack down the corners in the thickest part and occasionally on the sides just to keep it from catching on something.
I kept the inside simple with a stamp from the retired Thoughts and Prayers stamp set from SU, and I used Grapefruit Grove ink because I thought the paper was the same color until I checked it tonight (oops!). I may go back and add one of the border pieces of the specialty paper on the bottom, but I haven’t decided how much room we will need for the handwritten message of the card.
Be sure and pick up a pack of this laser-cut specialty paper when the Occasions catalog goes live on January 3. There are so many options for creating with it, and it’s simply lovely. Here are other current items I used for this card: