Superhero Batman Card for a Super Birthday

Thanks for the click! I feel like the proverbial broken record these days: “I’ve been on book deadline, so I haven’t had a lot of time in the craft room.” And when I’ve been there, I’ve had to do simple cards, which isn’t my true style. It’s been like this for months. Not really enough time to post either, but I try to keep up when I have to. Therefore, my post about Batman will be as short as I can make it. (There’s about another week until I think I can finally create for days on end again, and I can’t wait!)

Despite book deadlines and ASAP work and regular old “life” stuff, our family has birthdays in the latter half of the year, so I find myself away from home more often and scrambling for time beforehand to make birthday cards. I heard that the nephew wanted a superhero party this time around, and even though my gifts didn’t match that, I made sure my card would. I actually bought the “Let the Good Times Roll” roller coaster stamp and dies set months ago for his card. I guess I’ll make that another year. 🙂

I was randomly browsing Pinterest when I was killing time away from home one day, and I stumbled upon a seemingly easy Batman card. It looked simple enough to emulate (or CASE: Copy and Share Everything or Copy and Selectively Edit), which was perfect for my lack of time, but of course I had to put my own style to it too. I knew I had the oval punch and alphabet set she used, so using hers as a guide was perfect. Many, many thanks to the designer for bailing me out when I needed a quick card! You can see the original here: https://www.pinterest.com/pin/250372060519376773/.

As cute as I thought the original card was, I missed the light in the sky – you know, the one that always shows up as a beam whenever they cast the bat sign into the air from the spotlight. So I had to add that to my card, leading to my little bat. (I didn’t have room around the bat to punch the holes like the original designer did.)

To create the light beam, I first used Wink of Stella White and then layered another coat over most of it with either Wink of Stella Clear or Gold. The Wink of Stella line (Clear especially) is a favorite product in my craft room. I love that little bit of shimmer without the mess, and it dries quickly. I kept layering the colors, trying to keep my freehanded lines straight and also get both colors into the beam without one overpowering the other.

Wink of Stella Clear. Photo from StampinUp.com

The oval punch used was Stampin’ Up’s Extra-Large Oval Punch and I just used a scrap of yellow with it. Once I had it punched, I laid it onto my card and marked with a pencil the places the beam of light should theoretically end. I’ve never been very good at drawing 3D things, but I thought this turned out all right.

I do not (yet) own the new Spooky Bats Punch from Stampin’ Up and I’m not a huge Halloween person, so my choices for bats in the oval were limited. I’ve hand-drawn them before when I needed one, but I chose to fussy-cut one out of my paper share of current DSP for this card. It comes from the Toil and Trouble line in the current Holiday catalog. I looked for one that seemed most like the bat sign we know and love and cut it out using my beloved CutterBee microscissors.

Toil and Trouble Designer Series Paper. Photo from StampinUp.com.

Although the original poster used Stampin’ Up’s Labeler Alphabet (and I had intended to as well), for the sake of time, I opted for my SMASH Label Maker, which would save a lot of time of inking and trying to get the letters straight and cutting out the words before gluing them. There wasn’t much in the way of instructions on the packaging, so I still hold my breath and count when I operate it, and I’m still not entirely sure of the best way to keep the words fastened once I have them imprinted, but I keep working with it and learning.

For “To a super nephew,” I added extra spaces between the words and cut apart the words evenly when I was done before haphazardly affixing them first with Scor-Tape (which has mostly worked before). Before I was finished, I went back and reglued them with Tombow Multi, though, and that seemed to keep them where I wanted them, since the edges still wanted to curl up a little with the Scor-Tape.

Labeler Alphabet. Photo at StampinUp.com.

I don’t seem to have a picture of the inside. Maybe I forgot to take one. I thought I used a “Happy Birthday” stamp of some kind since I didn’t say that on the front. Regardless, that’s all there is for this card and blog post! Back to my regularly scheduled edit… Thanks for stopping by!

If you’re in need of craft supplies from Stampin’ Up, I’d love to be your demonstrator! You can shop with me at https://www.stampinup.com/ecweb/default.aspx or find me on Facebook at Constantly Creating / The Little Whatnot Shop. The current Annual and Holiday catalogs have some amazing products this year, and we’ll soon be making cards using the November-only special called the Snowflake Showcase! I recently got some of the flocked “White Velvet Paper,” and it is gorgeous! You don’t want to miss this special!

Masculine mover thank-you card 4

Card 4 in my series of five masculine thank-you cards for movers.

Continuing in my set of five masculine thank-you cards (to be sent to people who helped my client move), this “Card 4” is another one where I couldn’t get the brown-and-white DCWV “key” paper to work with the plaid and metallic silver-toned base. The colors just weren’t compatible enough. But I thought it would still be simple and masculine, two other requirements for the order, so I continued.

At this point in the order, it was just about keeping things consistent (like the gold embossing powder)…and I’d already used the plaid once on a different card anyway (in my “Card 1” post here). This section was the remnant of the 6×6 piece. I like to use up my scraps when I can to keep my scraps box under control, so there wasn’t much question as to whether I’d use it now. (It was “either use it now” or throw it on the desk to be used soon, since I couldn’t really take the time to look up which Stampin’ Up paper pack I’d taken it from. The scraps box wasn’t an option. I’m fussy about my SU paper and always put the scraps back with their pads since I have matching inks and embellishments in my supplies.)

I wish I knew what company this base is from. I was given a number of thick metallic bases in a craft swap, and they’ve been great to work with. They feel thicker than the usual Stampin’ Up cardstock I typically use for my bases (those are an 80-lb card weight, I think). A good base is key to the card not falling over or flattening instead of standing up.

The mechanics of how I did this card are simple. I’ve already mailed the cards, so I’m not sure of the precise measurements of the individual pieces, but I think the remnant plaid piece is just over 2 inches. I believe the squarish one in the middle was the back side of the grey plaid paper I used in “Card 1” (K and Company). I already had a chunk cut out of it for the other card, so one side had already been shortened. I measured where I wanted it to fall on one of the strips of the yellow-and-grey piece and lopped off the other side with my Fiskars trimmer.

(Confession: I don’t do a lot of measuring or precutting. It’s more annoying to store the paper as pieces get cut out of it, but I’m always afraid of limiting myself to certain sizes or creativity if I “only” have so much of something because I’ve cut it down. I do both scrapbooking and cards, so I can be pretty random in my sizing of card fronts, mats, and journaling boxes. Usually I just take the large piece of paper and a pencil straight to my project and mark where I want to cut it for that specific purpose and then file the rest away to use later. I probably ought to rethink this as I try to streamline my process for card making, since precut pieces would make it faster, but I’ve been loathe to change.)

snapseed

Once I had the grey square piece cut, I took my anti-static bag to the front (I remembered!) to prepare it for heat embossing. I already had my embossing tray, coffee filter, embossing powder, and heat gun out (and just typing that sentence shows why it’s easier to do multiple cards with the same supplies at once), so I stamped the thank-you stamp (“One Big Meaning,” Stampin’ Up, current) with my VersaMark pad, pressed it onto the grey piece (don’t wiggle it!), sprinkled it with the gold embossing powder (Hampton Arts), and took my (very old) Marvy Uchida heat gun to it. (See this post about why I use a coffee filter with my embossing powder.)

It actually turned out well! Though I am beginning to wonder whether my powder is too old – or maybe it’s just the brand. I don’t think my Stampin’ Up powders dimple like that, but they’re newer. And I don’t heat emboss all that much, so I haven’t really compared it to my others yet. The dimpled look is fine for these masculine cards and during other times as well, but occasionally I do want a smoother look, which seems possible with other powders. Or companies. This is something I need to research. (If anybody has any knowledge or tips, feel free to leave me a comment!) After I glued the square piece onto the plaid one with my ATG gun, I repeated the embossing process with the “for your kindness” stamp (“So Very Much, Stampin’ Up SAB set, retired). Then I sat back and took a look at it to see if the card “needed” anything else.

It wasn’t very long before the empty spaces in the square bugged me. This is why I have trouble doing simple cards. I apparently despise “white space.” My husband is forever telling me to leave things alone and not fill every little area. I’m not very good at that. But sometimes something actually needs to be filled and looks better once it is. I think that’s the case with this one. It would have been fine on its own, but the little added touches make it more special. I used a gold peel-off from Dazzles for the top swoosh and heart doodads – not sure which exact one, since I’m still not near my supplies as I write this. (I’ve figured out how to blog ahead of time and schedule posts!) After I was done with the center, I adhered my Crushed Curry Enamel Dots (Stampin’ Up, retired) at the edges of the plaid piece. I probably could have left those off entirely, but I had pulled them when I was looking for something to finish off the grey square, so they were in front of me. And I don’t “leave well enough alone” very well either. 🙂

I was pleased with how this one turned out. It fit the requirements and didn’t take overly long.

Thanks for stopping by!