Berry-and-Blue Birthday 3D Decoupage Quilt Card

A quick decoupage birthday card I created before bedtime.

Last night I attempted to go to bed a little earlier, but I still had some time to kill before actually turning in (the brain was still restless, looking for something to amuse itself with).

I had wandered into the craft room for something else and ended up stumbling upon this Log Cabin quilt paper remnant on the desk while putting some things away. And oddly enough, there was matching SU designer series paper and cardstock right beside it in a heap intended for quilt cards for the local gift shop. Not for the particular card they ended up creating, but at least they’re being used, right?

I’ve also started keeping a new organizational system for pieces I can grab and adhere to cards quickly, trying to speed up my creative process. So before I stacked any layers together, I turned to my “Card Toppers to Use” drawer and this 3D flowered circle was the first one I pulled out. And it even mostly matches. 🙂 Just had to decide how to utilize the card front’s space.

This was the arrangement that seemed most pleasing to me – and I even ended up using a very retired color of SU cardstock for the base and middle layer as a plus! (No idea what color it is…it was an In-Color back 10-15 years ago! I haven’t researched it.)

The 3D pieces are some of my favorite ones to make. It’s so relaxing to sit there and fiddle while talking or listening to something else. And they’re pretty impressive up close.

I had a pack of gold Dazzles sentiments on my desk in the heap as well, so I cut apart a “Happy Birthday” one to make it fit better, and it went on easily. I refrained from adding any Wink of Stella or bling bits, as the card front is busy enough already.

The inside of the card is simply a scrap of border paper from a UK magazine (love those!) and a sentiment from a Studio 112 clear stamp set on top of a remnant of white. I used Stampin’ Up’s Sweet Sugarplum ink for the saying.

This card feels supremely satisfying to me. It didn’t take me long at all to create it from start to finish – maybe 20-30 minutes? – and even though I was just throwing bits of random things together, it turned out to be something pretty. I think that method is actually my favorite way of creating and also turns out my most creative works, making something out of nothing missing any semblance of sense at the start. 🙂

I’m not sure who is going to end up with this card, so it’s currently for sale if someone wants it. It may end up at the gift shop otherwise, if they like it enough. 🙂

One Embossing Folder, Three Looks (Including SU Hanging Garden)

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Three different looks to using the same Darice embossing folder and SU Orchid Opulence cardstock. Two of the cards have embossing, and my favorite has debossing. All were glittered with Wink of Stella Clear, white, and/or gold glitter pens. All ribbon and twine is Stampin’ Up too. Sentiments are Sticko stickers, a Stampin’ Up stamp (from “Hanging Garden”), or gold Dazzles. The card with the lace has a set-on, popped-up front.
#thelittlewhatnotshop #forstacy #fordixie #darice #embossingfolders #stampinup #winkofstella #orchidopulence #etsysellerofinstagram #bakerstwine #laceribbon #coloringwithmarkers #embossing #debossing #flowers #dazzles #hanginggarden #sticko #customorders

Masculine mover thank-you card 4

Card 4 in my series of five masculine thank-you cards for movers.

Continuing in my set of five masculine thank-you cards (to be sent to people who helped my client move), this “Card 4” is another one where I couldn’t get the brown-and-white DCWV “key” paper to work with the plaid and metallic silver-toned base. The colors just weren’t compatible enough. But I thought it would still be simple and masculine, two other requirements for the order, so I continued.

At this point in the order, it was just about keeping things consistent (like the gold embossing powder)…and I’d already used the plaid once on a different card anyway (in my “Card 1” post here). This section was the remnant of the 6×6 piece. I like to use up my scraps when I can to keep my scraps box under control, so there wasn’t much question as to whether I’d use it now. (It was “either use it now” or throw it on the desk to be used soon, since I couldn’t really take the time to look up which Stampin’ Up paper pack I’d taken it from. The scraps box wasn’t an option. I’m fussy about my SU paper and always put the scraps back with their pads since I have matching inks and embellishments in my supplies.)

I wish I knew what company this base is from. I was given a number of thick metallic bases in a craft swap, and they’ve been great to work with. They feel thicker than the usual Stampin’ Up cardstock I typically use for my bases (those are an 80-lb card weight, I think). A good base is key to the card not falling over or flattening instead of standing up.

The mechanics of how I did this card are simple. I’ve already mailed the cards, so I’m not sure of the precise measurements of the individual pieces, but I think the remnant plaid piece is just over 2 inches. I believe the squarish one in the middle was the back side of the grey plaid paper I used in “Card 1” (K and Company). I already had a chunk cut out of it for the other card, so one side had already been shortened. I measured where I wanted it to fall on one of the strips of the yellow-and-grey piece and lopped off the other side with my Fiskars trimmer.

(Confession: I don’t do a lot of measuring or precutting. It’s more annoying to store the paper as pieces get cut out of it, but I’m always afraid of limiting myself to certain sizes or creativity if I “only” have so much of something because I’ve cut it down. I do both scrapbooking and cards, so I can be pretty random in my sizing of card fronts, mats, and journaling boxes. Usually I just take the large piece of paper and a pencil straight to my project and mark where I want to cut it for that specific purpose and then file the rest away to use later. I probably ought to rethink this as I try to streamline my process for card making, since precut pieces would make it faster, but I’ve been loathe to change.)

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Once I had the grey square piece cut, I took my anti-static bag to the front (I remembered!) to prepare it for heat embossing. I already had my embossing tray, coffee filter, embossing powder, and heat gun out (and just typing that sentence shows why it’s easier to do multiple cards with the same supplies at once), so I stamped the thank-you stamp (“One Big Meaning,” Stampin’ Up, current) with my VersaMark pad, pressed it onto the grey piece (don’t wiggle it!), sprinkled it with the gold embossing powder (Hampton Arts), and took my (very old) Marvy Uchida heat gun to it. (See this post about why I use a coffee filter with my embossing powder.)

It actually turned out well! Though I am beginning to wonder whether my powder is too old – or maybe it’s just the brand. I don’t think my Stampin’ Up powders dimple like that, but they’re newer. And I don’t heat emboss all that much, so I haven’t really compared it to my others yet. The dimpled look is fine for these masculine cards and during other times as well, but occasionally I do want a smoother look, which seems possible with other powders. Or companies. This is something I need to research. (If anybody has any knowledge or tips, feel free to leave me a comment!) After I glued the square piece onto the plaid one with my ATG gun, I repeated the embossing process with the “for your kindness” stamp (“So Very Much, Stampin’ Up SAB set, retired). Then I sat back and took a look at it to see if the card “needed” anything else.

It wasn’t very long before the empty spaces in the square bugged me. This is why I have trouble doing simple cards. I apparently despise “white space.” My husband is forever telling me to leave things alone and not fill every little area. I’m not very good at that. But sometimes something actually needs to be filled and looks better once it is. I think that’s the case with this one. It would have been fine on its own, but the little added touches make it more special. I used a gold peel-off from Dazzles for the top swoosh and heart doodads – not sure which exact one, since I’m still not near my supplies as I write this. (I’ve figured out how to blog ahead of time and schedule posts!) After I was done with the center, I adhered my Crushed Curry Enamel Dots (Stampin’ Up, retired) at the edges of the plaid piece. I probably could have left those off entirely, but I had pulled them when I was looking for something to finish off the grey square, so they were in front of me. And I don’t “leave well enough alone” very well either. 🙂

I was pleased with how this one turned out. It fit the requirements and didn’t take overly long.

Thanks for stopping by!