This fun summertime card uses some retired Stampin’ Up DSP—Tasty Treats and Cupcakes & Carousels—along with an unnamed stamp set featuring puns (I used the sentiment and the small popsicle here), and I even incorporated a large popsicle from an adult coloring book. I colored the small popsicle with Stampin’ Blends alcohol markers (Balmy Blue, Light Calypso Coral, and Light BlackBerry Bliss) and I used Tuxedo Black Memento Ink for the sentiment and small popsicle. The Decorative Label Punch was used around the sentiment (which I then inked the edges of with a Crumb Cake Stampin’ Write Marker).
Back in the summer, I was asked to make a special birthday card for a special friend’s son who has a fondness for foxes—all shades and types. She gave me free creative rein and said she didn’t care what I did with the idea, but that he might like a red one. I considered several different fox stamps and stickers but finally chose a particular stamp that shows foxes in a wintry scene since his birthday was in February (“300-16 Red Foxes and Birches,” Stamps Rosa).
I’ve never really thought much about foxes in my life, other than thinking they’re beautiful animals in general, so I had no idea how to shade one. Coloring is something I’m still not comfortable with, because I feel like the concept of shading is one I haven’t begun to learn. Luckily for me, the wooden stamp I was using had a colored picture on the front that I just had to attempt to recreate! 🙂
First I had to choose the right paper, though, which evidently was not the bumpy watercolor paper I tried to stamp on first (twice). I knew that, but I was thinking of using my water-filled Aqua Painter on it and felt the paper would handle it. I liked the textured look of the watercolor paper too, but the image was too detailed to stamp cleanly with the bumps in the paper. Then I remembered Stampin’ Up’s Shimmery White cardstock, a must-have in my collection. It’s not any thicker than the rest of their cardstock (other than the aptly named “Thick” cardstock in the line), but it’s smooth and somehow holds up great with watercoloring–and it’s sparkly to boot (hence the “Shimmery” part of the name). Bonus for me was that the paper helped my snow scene sparkle.
Once I had the paper figured out and the stamp stamped correctly, I took my watercolor pencils and tried to emulate what I saw on the wooden stamp block. I had to mix a few shades to get that red fox coat color with the darker spots. After using the watercolor pencils, I took my Aqua Painter to it as planned and went back and forth between the two tools a few times until it felt right (because I have no idea what I’m doing, really. I’m assuming I’ll get better as I learn by trial and error).
After I was satisfied with the colors and the paper had basically dried, I went over the snow and snow-covered branches with my Clear Wink of Stella brush marker to bring back the sparkle to the snow that I’d ended up coloring over with the white pencil. (The sparkle shows through the color a little, but I really wanted the snow to glimmer.) Then I set aside the piece to dry while I figured out the rest of the card.
My favorite crafty thing to use these days are metal cutting dies. They’re simple, quick to use, and make things prettier or more elegant than I could come up with on my own. (They’re also faster for me than my Cricut.) I hang most of them on my wall and the back of my door on large magnetic sheets or vent covers so that I can easily walk over and try different sizes and shapes with whatever I’m wanting to cut out, rather than taking time to flip through a box and take die sets out of envelopes.
For this card, I looked at a bunch of large shapes, trying to decide whether to cut it into a type of oval or a fancy square or a rectangle. I ended up using one of my new sets from Spellbinders that hadn’t yet made it to my wall (Art Nouveau Designer Series “Water Lilies Decorative Element”), because it fit the image perfectly without making me cut it down too much (after all that hard work in coloring, I hated to do that!).
I debated whether to use a SU Cajun Craze cardstock base or a white base and which color to set off where. I ended up cutting several different colors of cardstock with the frame die to test them and see what worked. The card finally fell together color-wise when I brought in the darker wood-grain paper (SU “Country Lane” DSP) as a background to echo the dark shading in the picture. The dark complements the darker orangish-brown Cajun Craze well enough while keeping the same tones. With the white base, there was too much contrast and the frame jumped out at me rather than letting me focus on the colored image. So I ended up using a Cajun Craze base but covering the entire front with the wood grain and using a Cajun Craze frame on top and beneath the white colored image. (It’s a solid piece that gives a mat to whatever is inserted into the sides.)
This particular frame die acts like a gift card holder where the center flowers are, gently opening up and holding whatever is placed in the solid middle. That took some thinking, trying to measure and cut down the colored image so that it fit into that space under the flowers just right. The opening/middle rectangle is much larger than a gift card, but it’s the same idea…though this is only one way to use it.
The one thing I forgot to do to the test pieces was to make sure they were embossed well also. (One reason I love Spellbinders is because they have awesome sections of the dies that are intended to be embossed to give it a little something extra. I miss that feature when I use other brands.) So the embossing could have been done a little better in parts here, because I forgot to take that step to make it pop. I didn’t remember it until I’d mailed the card and noticed it in the pictures. In the photos above, perhaps you can see that the center flower pieces are more deeply etched than the corners above and below them. Next time…I shall remember next time. 🙂
My customer wasn’t picky about what to say on the inside either, other than asking me to write his name and theirs in it and mail it straight to him. So I had to dream up something based on other things she had said to me. After adding fox washi tape to the bottom of a white piece and then matting the paper onto a different kind of wood-grain patterned paper from a 6×6 pad (can’t remember which one now), I used three different stamp sets and another die to make the sentiment section. “A little expression of love” is from SU’s “Painter’s Palette,” “just for you” is from SU’s “From the Herd,” and “Happy birthday” is from MFT’s “LJD For the Boys” (part of the “Happy Birthday, Handsome” stamp). The die is among those in a retired nested set from SU called “Deco Labels.”
I used my stamping platform and its grid to line up the sentiments on the die-cut and stamp out a couple of test pieces in Cajun Craze ink to make sure they sat where I wanted them. (I had tried stamping right on the matted liner paper but I accidentally got ink where I shouldn’t have, so at that point I just had to cover it up because it was already adhered.)
After the sentiment box was stamped, I edged around the die-cut with my Cajun Craze Stampin’ Write Marker so it would stand out against the white paper. And, once again too late, I saw that the double fox spot on the washi piece. I didn’t create that intentionally; it’s just how it came off the roll. I wish I had seen it sooner; it bothers the part of me that prefers symmetry. 🙂 I also added two gold glitter hearts from MME (“Niche/On Trend Foam Stickers”) in the white space of the sentiment box.
I like how this one turned out even though it tested me at times and there are a couple of things I wish I could do differently. It’s always easier to make a similar card a second time. Maybe I’ll try to do one for the local gift shop. After all, I’m not completely convinced that winter is over with where I live.
Some of the Stampin’ Up items I used on this card are retired, but you can purchase the ink, cardstocks, and other current items through my online store if you want to try them (please use code 6WPHJ2MC at checkout unless your order is over $150). The thumbnails below will take you right there…and this is an awesome time to get them since Sale-a-bration is still going through the end of March. For every $50+ order before tax and shipping, you get to pick an item out of a select group of almost two dozen items and Stampin’ Up will send it to you for free with your order! Plus you’ll also get a free gift from me. 🙂 Please contact me if you have questions.
Thanks for visiting my blog! I truly appreciate my readers. ❤️ Have a lovely day! #neverstopmaking #mftstamps
Welcome to another blog post for Stamp with Amy K’s Inkin’ Krew Blog Hop! We have a very talented lineup for you this week. Thanks for stopping by to see what I created. 🙂
Our theme this month is “Celebrate Spring,” in whatever way we want to interpret that. Because I’m also making cards for my local gift shop, I chose to go with the “new birth/baby” idea. I couldn’t wait to get my hands on Stampin’ Up’s “Perfectly Paired” cling stamp set when it came out—it’s all about babies and features a Noah’s Ark image, one of my favorite themes for little ones. This stamp set (so far as we know) is only available for a couple more months since it’s in the current Occasions catalog.
Since I knew this would be a nice card and likely given with a gift, I started off by grabbing a lovely, thick envelope from my stash and then made the card base a 5×7 size to match it, using SU’s Shimmery White cardstock. I chose Shimmery White because I wanted to color the image.
Well, as usual, although I was aiming for simple, I evidently have to complicate things. And I made plenty of mistakes to cover up. My “MO,” I’m starting to think.
It occurred to me that there were waves under the ark in the stamp but I thought it might look a bit “adrift” all by itself on a flat card base. So I got some of my new Ice Blue Matt Mirror Luxury Cardstock (Crafter’s Companion) and cut it down, leaving about a 3/8″ border of white on the base for the “shimmery” part of the “Shimmery White” to show. Then I embossed some waves onto the mirror card with my Cuttlebug (“Musical Flourish” embossing folder).
My piece of mirror card was slightly longer than the embossing folder, so I embossed both ends and then attempted to hide the faint line the edge of the folder left with some retired 1/2″ SU Pacific Point ribbon. I wrapped the ribbon around the edges to give it a neater, more finished look. I believe I used my 1/4″ Scor-Tape down the middle of the back of the ribbon.
I didn’t actually cover the line left by embossing because the ribbon wasn’t wide enough, but hopefully I distracted anyone from looking too closely. I tried to keep the embossed design from overlapping when I ran it through the Cuttlebug, and the embossed line really isn’t that bad, but it’s mirror card so everything shows…. 🤷♀️ Whether I needed the ribbon or not, it was an attempt to make the card look better, and I built the rest of the design from there.
After fiddling with the layout, I decided to also mat the mirror card with Pacific Point cardstock to bring more of the ribbon color in for balance. I left 1/8″ of the mat showing, glued the mirror card to the mat, and then glued the combo onto the card base. I used my ATG tape gun for these. Then I set aside the card so I could concentrate on the image. And here’s where things got interesting.
I wasn’t sure whether to use my Stampin’ Blends alcohol markers to color it or my usual: watercolor pencils with either an Aqua Painter or a Blender Pen. I figured I’d do one of each type of coloring and leave the extra in my “card parts” bin for faster cardmaking later. Because those mediums require different inks to control the color, I stamped the ark image from “Perfectly Paired” once in Memento Tuxedo Black (for the alcohol markers) and once in SU’s Archival Basic Black (for the watercoloring). I labeled the backs with a pencil so I’d know which went with what…and then promptly started coloring the wrong image with the wrong medium because I was “doing,” not “thinking.” 🙄🤦♀️
Surprisingly, the Archival Basic Black didn’t smear too badly with the alcohol Blends, but I had been careful about not coloring over the lines, just because I was carefully coloring. It wasn’t until I smeared the lions’ whiskers a little that I even realized I’d switched the pieces. (Live and learn?) But smearing lines is why we are supposed to use Memento ink with alcohol markers. Lesson learned.
And then I discovered that I don’t yet have enough Blends to finish coloring this particular image. 🤦♀️🤪 I’ve been building my collection a little at a time, and although the Smoky Slate and Basic Black Combos have each made it to my purchasing list at least once, I ended up dropping them for things I wanted more. (Sacrifices!) Therefore, I have to stop coloring the image until I can get those and finish. For the record, though, this was as far as I got, and I really like this medium. (If you look closely, you can spot my whiskers accident.)
So I had to put all that away and regroup. I couldn’t remember whether Memento would smear if I got it wet (since it is a water-based ink), but I just wanted to get something going that I could use. I mentally crossed my fingers and dove in. I could always stamp another one if I had to.
Fortunately, it worked just fine—no smearing that I can tell. My coloring isn’t perfect, but at least the lines didn’t move. I went with the Aqua Painter to smooth out the watercolor pencil lines too…though in hindsight, I should have tried the Blender Pen, for better control in small places. Or just chucked it all and gone straight for my stash of Stampin’ Write markers. (I hope you’re learning from my mistakes! This veteran scrapbooker is still learning so much about cards!)
I will admit to a little cheating as well. I knew I had a Pacific Point chalk in my arsenal. As my retired SU watercolor pencils are unlabeled, I went for the chalk to color the water (with my Aqua Painter) so I could be all matchy-matchy instead of throwing off the shades by introducing some other blue. 😊 Also, I lightly colored the background a sky blue so that it wasn’t stark white paper. If I was coloring waves, I had to color sky too, right? But it’s hard to see in the picture.
So this is where I ended up with it (including doctoring the zebras with white Smooch paint and a Memento pen in desperation after watercoloring and black got the better of me). Coloring was the longest part and why it may be better to use some sort of marker next time. 🤷♀️ Another lesson learned!
Once the image was done and dried, I covered a good portion of the back of it with my 1/2″ Terrifically Tacky Tape (TTT), which is just like SU’s Sticky Strip. I did this to combat the curvature of the paper that happens once water goes onto it. Then I peeled off the tape backing and centered it in the section above the ribbon on the card front.
I had found some black, glittered chipboard faux photo corners when I was debating about the layout, so I glued those overtop the corners of the image with my Art Glitter liquid adhesive. And then I pulled a metal bar sentiment (“celebrating your arrival”) out of the heap of baby ephemera in front of me on my desk, and I adhered it to the top of the ribbon with more 1/4″ Scor-Tape. The front was done. Finally. And I’m even happy with it. 😂 I especially love how the foil look of the matt mirror cardstock shines and changes depth and color in the light. I so love using specialty materials to make cards pop.
(Oops! You can see that faint embossed line in this pic! Well, it’s not that noticeable in person. 😊)
For the inside of the card, I used the “Two by two we welcome you” sentiment from “Perfectly Paired,” stamping it with VersaMark on Shimmery White cardstock before heat embossing it with “Blue Tinsel” embossing powder from my stash. (No idea who made that; I’ve had it for years.) It was the closest embossing powder I could find to the Pacific Point color I’d been using, and it does actually look glittery, like tinsel, and has some texture to it once embossed. I then backed the white sentiment piece with a die-cut Pacific Point cardstock tag from a Spellbinders die (“Fancy Tags Two,” I believe. #neverstopmaking). I think it turned out quite lovely.
To finish off the card, I took a strip of dotted blue (SU Pool Party) cardstock from the retired Tutti-Frutti Cards and Envelopes pack and attached it to the bottom of the inside. I also cut off a small strip of matt mirror cardstock to top it. And then I found two goofy pink flamingo stickers in my stash from Sandylion and stuck them to the bottom right corner just for fun, to carry through the theme. I was looking for my smaller Noah’s Ark stamp for the corner, but I have to keep looking. 🤔🤷♀️
I haven’t decorated the envelope yet, but I’m thinking of stamping a row of various animals across the horizontal bottom (under the address section) as a sneak peek to the theme.
Below the list of hop participants are the current products I used in my card (or similar ones) that you can purchase through my online Stampin’ Up store if you wish to own any. (Please use host code 6WPHJ2MC when you check out.) Don’t forget that we have until March 31 to get free gifts from Stampin’ Up through Sale-a-Bration with orders of $50 or more before tax and shipping! There are some awesome reward products available! I also give free gifts to those who order through me. 😉
Thanks again for visiting today. I hope my mistakes keep you from making your own! Feel free to post questions or comments. 🙂
To continue with our hop and visit Jaimie Babarczy’s blog offering, click Next or her name in the list below. To view what Karen Ksenzakovic created, click Previous or her name. Thanks for hopping along with us!
- Karen Ksenzakovic
- Connie Troyer — You are here!
- Jaimie Babarczy
- Sue Prather
- Julie Johnston
- Mary Deatherage
- Karen Finkle
- Shirley Gentry
- Amy Koenders
I was recently commissioned to create a custom sympathy card for a woman’s special friend who lost her daughter. My customer and I texted about various options and decided to go with a green theme, the gold-foil “Sending Love & Sympathy” square sentiment by Anna Griffin that you see here, and the cream-backed embossed rose image on the left of the card.
Initially, the rose image was entirely cream-colored, but it just wasn’t showing up well once I backed it with the Petal Promenade Designer Series Paper from Stampin’ Up. It faded away in the background instead, which wasn’t good for a focal piece. So I brought out my retired Stampin’ Up chalks and lightly spread some corresponding chalk colors over the raised areas on the rose (hoping I wouldn’t get too heavy with it, as I only had one of it!). I used a couple of the chalk applicators that comes with the set, but I have also used Q-tips in the past. I think the rose was a scrap from a mass-produced card. I decided to upcycle it. 🙂
Technically, I created everything else first before I started coloring the rose. I got a piece of Mossy Meadow cardstock, measured what I would need for a 5×7 card, sliced off the excess, and scored it where needed. When I was looking for Mossy Meadow DSP (of which I do not have a lot) so I could match the card base, I found this grid paper in the retired Going Places pack from last year. I thought it would work perfectly for a subtle pattern with some movement, yet not be a plain solid and still work with a busier pattern on top of it.
The grid paper was the perfect paper once I spotted the current Petal Promenade DSP. I simply adore that paper pack. The different kinds of flowers in it are SO beautiful and realistic. My challenge for this card was to show some of the gorgeous paper but not overshadow the focal piece of the solitary rose.
Since I accidentally cut the rose piece a little shorter than necessary (initially thinking I’d be going with an A2-sized card), I then had to rethink how to do the Petal Promenade DSP. But showing a little more at the top and bottom did give a better idea as to what the paper looked like. I just decided to go with it and see where I ended up. I took the rose piece and moved it all around the edges of the 12×12 piece until I found which section of paper suited me best. I didn’t want the large ranunculus blooms to be right beside the rose bloom, and I was trying to precisely place the greens as well, so that pinks and purples showed also.
I also tied a scrap of 1/8″ velvet Blackberry Bliss ribbon around the stem section of the rose and kept the knot in place with a Bling Zot. Then I matted the gold-foil sentiment from Anna Griffin with a plain piece of SU Mossy Meadow cardstock so that the piece would show up better against the DSP and match the card base.
When “sketching” out the card in my head at the start, I “saw” the strip of paper and rose at the left and the block sentiment down on the lower right. After I made the card a 5×7, that empty space of just grid DSP seemed rather empty. I wanted something there to fill the space, but stamping was going to be difficult to accomplish with the paper being so dark. I decided to riffle through my doilies and other embellishments to see what I could put there to take up space, and I had some retired gold SU doilies that were just the right sizes. I chose two so I could extend the largest one out far enough to feel balanced in the space and then layered the smaller one atop it. Then I added a half of a small one underneath the sentiment as well.
I accented with Gold Faceted Gems from Stampin’ Up, which are current. There are a lot in the pack, so I’m in no danger of using them up yet, even though I’ve used several each time I craft with them. 🙂 The gems bring out the subtle gold foil in the sentiment.
On the inside of the card, I placed a random pink glitter paper strip I had been moving around my desk (it might be from a Martha Stewart 12×12 paper pack), and then, more intentionally, I cut out a blank, flowered sentiment square also from the Petal Promenade DSP pack. My customer and I had decided to use the Sylvana Rossetti quote from the retired SU Love and Sympathy stamp set, and it fit perfectly inside the square. I used Mossy Meadow for the ink color. I was thankful to have used my stamp platform so that I could reink it if I needed to (and I did).
Some of my Stampin’ Up team members like to decorate their envelopes. I do it once in a while, but I generally forget to by the time I create and am ready to photograph and move the card on its way. This time I really wanted to show more of that beautiful Petal Promenade paper and make the card really feel special and coordinating with its envelope, so I took the time to measure and cut a section for the flap. The paper is simply too pretty to hide, and this way it won’t cost extra at the post office, as doodads on the front of the card will (unless they are flat like images stamped onto it).
Thanks for stopping in to see my work! Below are some things that can be used to create a similar card.
Remember that for every $50 purchased from Stampin’ Up until March 31, you can get one free Sale-a-bration item! They have some fantastic choices for us, too. In addition, for every $50 spent, you also get a free item from me – your choice up to $10 worth. Please use my code JJBCPS4W when you order. It’s the best time of year for Stampin’ Up. You don’t want to miss this. 🙂
Happy crafting to you!
A bridal card for love-themed needs!
Welcome to another post for Amy K’s Inkin’ Krew Blog Hop for Tuesday, January 8! This month we are featuring the theme of love with Stampin’ Up products. I’m making wedding and anniversary cards for my local gift shop right now (along with other themes and random custom orders), so I was very excited to join this hop!
For several days now, I thought I knew what I was going to create for this blog. In the end, I did stick to my original (barely fleshed-out) idea, but did I ever find ways to complicate it. (I always do.) I definitely should have started on it earlier. But I had craft room organization on my mind this week and I got to it when I got to it.
I was able to use several current SU products as well as a couple of retired products and ones from other companies (oops!). The focal point of the card is the bride stamp from the “Wonderful Moments” stamp set, set off by a lace oval from the Delightfully Detailed Laser-Cut Specialty Paper pack and a background of Petal Promenade DSP.
The laser-cut paper is vanilla on one side and white on the other. Since my card base was white and the bride’s dress would be too, I chose to use the vanilla side of the lace oval. And then I decided it needed something else. It felt too plain and too neutral. I kept “seeing” pink with this stamp and card, but the last two wedding cards I created had pink hues in them, so I tried to use other colors.
I have to keep trying. I did manage to sneak in an orange and a dark purple…but there’s still pink. So when I was looking at the oval and trying out colors in my head, I started sponging Bundled Sage Distress ink onto it, thinking winter colors. But then I picked up Tattered Rose and sponged it on too. (Evidently those colors should have gone on in the reverse order.) I added a second layer and different sponging before I was done. And then I got an idea, when I realized that the ink was drying slowly enough to get onto my hand as I held the card. (This is subconscious Pinterest at work in my brain, I think. Lol!)
One of the retired products in my stash that I need to use more of is our Iridescent Ice Stampin’ Emboss Powder. I’ve only used it in small bits until now…but I remembered seeing others do a whole-scene kind of treatment with it. I wasn’t even entirely sure I remembered how this product worked since I bought it late in the game, but the paper was definitely ready to be treated – it was still inky. My friend E assured me that I could indeed use Distress inks for embossing. So I got out my catch-all tray and my coffee filter and proceeded to pour the Iridescent Ice powder overtop (hoping I was making the right decision and not ruining a lovely piece of paper) and then heat embossed it, as the label suggested, three times before I finally saw the powder changing and understood what it was going to look like or do.
Turns out I love this look. It reminds me of our Dazzling Diamonds Glimmer Paper except it’s not as thick and has slightly different colors. I’ll have to try this technique again sometime. I also appreciate how the pink and green sponged inks are still coming through the translucentness of the embossing powder. It’s faint, but it works.
With the lace oval paper finished, I turned my attention to the bride stamp. I chose Archival Basic Gray ink because it felt like black would be too harsh and bold against the soft oval. I had to stamp the bride several times with my stamp platform because it was the first time I’d used the stamp and I hadn’t prepared it even though I know better. So my outline got a little thicker than I’d intended.
After she was stamped, I watercolored the bride’s hair, skin, bow, and flowers with watercolor pencils and used an AquaPainter on those places afterward. For the dress, I decided to experiment with some Nuvo Crystal Drops (Ivory Seashell color) new to my stash. Since that is also translucent, I was hoping it would soften the lines of the dress if I covered them with the liquid. I later went back over the dress again, using a paintbrush to smooth out the Drops on the paper. I also took Wink of Stella to the bride’s bouquet (though I erred first and grabbed my White instead of my Clear. Once it dried, I realized what I had done and went back over the bouquet with Clear as well.) It sparkles more in person than in the photo.
So I had one finished oval and one watercolored, Nuvoed bride. I wasn’t sure how to treat the background behind her. In my mind I had seen her on white, but that seemed far too plain now. I thought of putting a watercolor pencil down as a background but couldn’t settle on which color. Blue for sky? (So she’s out in the open, looking at nothing?) Or some kind of background stamp to imitate wallpaper or wood planks? I then decided to think about the Graceful Glass vellum and hit upon an idea I’ll use at a later date, before the vellum led me to looking through my current DSP. I ended up fussy-cutting around her and placing her on patterned paper so I wouldn’t have to mask her for a background stamp or risk ruining something.
The paper I chose to use feels most like a sunset in front of my bride, and it even matched the flowers, hair, and bow I had colored before viewing this paper pack. (That actually happens to me a lot!) Because that was my best background option thus far, I cut (and then recut, due to first error) a notecard/A1 size of paper where the jagged stripe in the paper best flowed beside her dress and body posture. Once I had the background paper glued to the notecard card base, I played with the placement of my bride, attempting to center her and play off the “sunset stripe” to its best advantage while trying to cover the bottom of the dress with the sentiment I intended on using. (Many thanks to patient E for this stage, who was with me on video chat while I created the card!)
Something then made me think about the Rose Metallic Thread I had stored with my baker’s twine, and I decided to do a bow of some sort. I’m not very good at bows with delicate threads yet. I ended up laying ATG tape on the back of the sentiment and looping it around and sticking to the tape however it looked the best to me.
The gold-and-white “Best Wishes” sentiment came from a resist coloring pack from another maker. I just left it as is, since I had enough color going on already. It fit with the “brown” tones of the card anyway. The gold on the sentiment appears to have been embossed, though it came that way in the pack and I merely cut it out. I popped up the sentiment with its new metallic loops with Stampin’ Dimensionals foam dots, placing it right above the hollow circles at the bottom of the oval.
The last touch on the front of the card was the tiny little mini pearls I used on the buttons of her bridal dress. I had SU’s white mini pearls from the Notes of Kindness card kit on her dress originally but later changed to even smaller ones from Recollections.
The inside of the card has been kept simple to be size-appropriate for the notecard and also to leave room for the sender to write. I used the retired Petite Pairs stamp set with its “for the new Mr. and Mrs.” sentiment on a bit of the Petal Promenade DSP (from the first piece I’d cut the wrong direction by accident), the current Fresh Fig ink pad, and the gorgeous Stitched Labels Framelits Dies. And then I added two more mini Recollections pearls on the sides of the inside tag. 🙂 (Side note: the Petal Promenade DSP pack is one of my favorite things in this catalog. The papers are just so beautiful!)
If I had set out to create this exact card, even with all the detail, it wouldn’t have taken me very long. But creating from scratch and using trial-and-error means that sometimes happy accidents have to happen to lead the creator to the next step, which later seems so obvious. 🙂 I’m really quite happy with this card now, but there were moments when I wondered where I was going with it. Maybe you’ll find even faster ways to recreate this card. I’d love to see what you come up with! I think this card could be used for a bridal shower, a wedding card for the couple, or an anniversary card. It just depends on which sentiments we use.
Below are the current Stampin’ Up products I used on this card. If you need any of the supplies, just click on the thumbnail to go to my store or visit this link. I’d be happy to become your demonstrator! Sale-a-Bration (from now until March 31) is the best time of the year to stock up on products and earn others for free! Please use code JJBCPS4W for a free gift when you shop with me! (You can continue with the hop participants below the thumbnails.)
Thanks for stopping by my blog! To continue with the hop, see what Karen Finkle created by clicking on the Next button or visiting her link below. To go back to see Sue Prather’s card, click Previous or her link above mine. See you next time!
- Shirley Gentry: https://stampinwithshirleyg.com/?p=3079
- Jaimie Babarczy: https://wp.me/p79UhD-2sD
- Julie Johnston: https://wp.me/p8SzmQ-29L
- Karen Ksenzakovic: https://wp.me/paaNf4-h4
- Mary Deatherage: https://wp.me/p5snyt-70J
- Sue Prather: https://wp.me/p5yitZ-XU
- Connie Troyer: You are here!
- Karen Finkle: https://karenscardkorner.blogspot.com/2019/01/stampin-up-nine-lives-for-amys-inkin.html
- Amy Koenders: https://wp.me/p2SFwf-cTD
Some cards from the Designer Tin of Cards Project Kit – quick and easy cards with a bit of variation.
Hello again. 🙂 I’ve had interest in a blog post about one of my birthday cards, so I thought I’d do up a quick blog post about it and a couple of others I made from the same kit.
The kit in question is the now-retired Designer Tin of Cards Project Kit from Stampin’ Up. When I was on vacation this past summer, I took an evening and mainly made up the cards the way the kit suggested, with little variations to the cards here and there. I didn’t add the sentiments at the time because I wasn’t sure what I would need them for and I didn’t have all my options in front of me anyway. So little by little I’ve been picking out of the batch and finishing them to send as needed, with some still waiting.
All my blue-and-white-and-gold ones have gone to the local gift shop for sale, and they had different sentiments. I used one of the masculine looks for my dad’s birthday. I used the banners/garlands base for another relative’s birthday and added some llama and cactus paper elements from a UK magazine I had with me. (I still have two of those bases to create with, actually.) I sent at least one of the coral hibiscus cards to the gift shop, and one went for a friend’s birthday. I used the “Celebrate Your Day” and “Sending Love” sentiments from the coordinating stamp set. I still have two coral and one masculine card to sentiment yet.
I didn’t used to be very fond of the kit idea in general because they’re usually too simple for my preferred style of details. But as I get busier, I have seen how useful they can be for when I want to send a handmade card but haven’t had extra time. Also, now that I’m constantly making cards for the gift shop, it’s been nice to fall back on ones that are faster and easier to make without taxing my design skills. I’m beginning to let go of the need to have everything perfectly perfect and just the way I like it. I simply don’t have enough time to keep up with all I’d like to do in this life. They need cards, so I must make them and not fuss around. Besides, some people really prefer the simpler, “to the point” cards rather than all the detail and fluff I like, so this way I hope to reach a bigger audience in interest. 🙂 For ones I send personally, I like to create cards with the recipient in mind. But for the shop, I don’t know who is buying them or who they are for. So the kits are beginning to work for me there. (And if any of the kits make it to the clearance rack, they’re even cheaper, which I also like.)
The kit coordinates with the Designer Tin of Cards stamp set, which I used for a few of the cards but not all. It was supposed to be used to make a filing system of cards on tabs, with the tin to hold everything, but I chose to use the sentiments rather than the tabs.
I’ve added in some of the finished cards as examples for you to see what the kit was like. Evidently I didn’t take all the pictures I should have. 🤦♀️ But if I find other pics, I’ll update the post with them.
Thanks for reading! If you have any questions about how I created something, just leave me a comment. 🙂 And stay tuned for another blog post about a “love” card for a blog hop. 🙂
If you need any papercrafting supplies, I’d be happy to become your Stampin’ Up Demonstrator! My direct store link is in my blog sidebar.
May your day be a happy one!
A dry decoupage sympathy card using Stampin’ Up for everything but the main image (at last!).
The hits keep coming. Two more sympathies on my to-do list, along with a celebration theme for a blog hop. For these two, at least it’s a celebration of sorts, though sad now. Still, I feel muddled. My heart aches for them, so I went looking for something that spoke to me and seemed to reflect the people I’m thinking of. My “card toppers” bin bailed me out for the one I’m blogging about today. (The other, yet unmade, will focus on Stampin’ Up’s Graceful Glass vellum DSP and alcohol markers, so stay tuned for that.)
My mother used to say that I was “an accident waiting to happen.” She’d probably still say that, given the chance. That phrase came to me as I wrestled with this card. I began to feel like it was one accident after another. I love how it turned out in the end, but my goodness, the process! (This means there’s hope for me, right?) Another case of “when things don’t go well.” Please tell me you’d never know. 😉
One of my husband’s coworkers lost her dear husband last week, and it’s been such a sad thing. I wanted to make a beautiful card – part masculine in remembrance and part feminine for her – but had no idea where to start. Since I often clean or organize when I have a problem to mull over, that’s what I ended up doing, which led me to the main cross piece seen on the front of the card today.
Finding a brown card base to match the topper was easy; Stampin’ Up’s Baked Brown Sugar, a retired color, matched the foiled copper/silver/gold/burgundy/blue cross the best. I only have so many browns, and I usually use SU for my card bases since I like how the 80-lb weight cardstock stands. (I grab premade bases only if I start with the base first rather than the main image. It’s just easier to match it that way rather than working in reverse.)
During my cleaning spree, I was also looking at and putting away some new SU Designer Series Paper. So when I tried to find paper the cross could match, the blue piece was fresh in my mind and looked prettier than any other neutrals I put next to it. The blue paper is from the Tranquil Textures DSP pack in the current Annual Catalog from Stampin’ Up. It’s not a solid blue, but it it hard to tell that with the dry embossing I put on top of it to give the card some texture. I used the “Oxford” Cuttlebug folder for the textured design. I wanted something light and barely textured like Stampin’ Up’s Subtle embossing folder, but I don’t own that particular one yet.
Here’s where things got tricky. The card is a 5×7 because the cross is so tall. But because it’s narrow, there was a lot of “white space” around it. I don’t like white space (even if it’s blue). So I started to wonder what I could do or put next to the cross to take up the width. A sentiment would only be so big, as well as being awkward to work with around the 3D leaf layers toward the bottom, so I wasn’t sure that was the answer. I thought maybe I could make a decorative edge to the card front at the right instead. I could see it in my mind but wasn’t sure how to achieve it (story of my crafting life, btw). That seemed to be the best thing to try…but all my dies were too small to stretch across 7 inches. Nothing felt right. So that night I went to bed frustrated, having made only the card base and embossing the paper.
The next night I attempted to keep going on the card while I was on the phone. I should have known better. I spotted a long Spellbinders die on my die wall and got all excited because it would fit lengthwise. I didn’t think about the fact that ALL of the edges of the die does indeed cut…until I wrapped a card base around a Cuttlebug plate (so that I didn’t cut through the second layer), positioned the die, and wondered why an inch of the card base separated from itself after I ran it through the machine. (*insert facepalm here*) To my defense, I was still on the phone. LOL
So suddenly I had a card base with one side shorter than the other. That was not what was supposed to happen. Not to mention, the magnetic plate dinged up the middle of the card base, and the B plate left marks on the back side of the base, making it warped and weak. Sigh. Time to rethink. Maybe I needed to make a new card base.
I tried to process where to go next. The decorative edge thing hadn’t worked and I couldn’t think how to make it work other than an edge punch – if I made a new base. I’ve never tried the popsicle sticks I’ve heard about, to keep part of it from cutting, so I wasn’t sure how to do that either (again, on a new base). But I hated to destroy the one I’d just cut. What I did manage to do after thinking was flip the card base around (even though I’d folded it correctly after scoring the first time). That would give me a chance to add paper atop the marked-up part to hide it and also add some stability with the extra paper layers. I hoped. I also took my bone folder and tried to work out the middle bumps and crease it sharply.
Once the base was salvaged, I decided to play with the pieces and arrange them just to see what I could do. I ended up liking a little bit of breathing room between the die cut and the now-shorter edge of the card base, rather than placing the die cut right up against the piece it had just been cut from. And obviously if there’s a peekaboo die, something needed to peek through it underneath. I grabbed more blue DSP and left it as is on the inside of the card rather than embossing it for texture like the front.
I also realized that I needed to run the textured piece through the Cuttlebug again, as one side has trouble with a piece of paper I got stuck in the roller years ago. Part of the paper was hardly embossed, so I realigned it in the folder, flipped it around to the other side that impresses better, and ran it through again. Came out perfectly that time.
The trouble was that when I left that breathing room space between the die cut and the base, it was not centered once the card was opened. I didn’t like that. But it looked like I had enough room to add 1/8″ of ribbon or something else. I chose SU’s gold and white ribbon to match the cross and the browns and loved how it looked.
But then I couldn’t get it adhered. The ribbon is thin enough that the line of Art Glitter liquid glue I laid down soaked right into the ribbon. I wasn’t confident it wouldn’t end up slightly sticking to the inside of the card once it had been closed for a while. But as I told a friend last night, when a person has too much product in her house, she will find a way. I decided to use my Cosmo Cricket Glubers Adhesive Strips. I rarely use them, but sometimes they’re just the best option. They are 1/4″ strips, though, so I took my nonstick microscissors from CutterBee and cut right down one of the strips, eyeballing it to just under 1/8″. And then I placed it with my tweezers and stuck a new piece of ribbon to it. I was much happier with the inside then.
I decided not to stamp a sentiment on the inside yet. I needed to finish up and get to bed and I wanted to really look through my stamps to figure out what I wanted to say on the card. I will probably go back and add one later, but right now it’s blank.
I’ve spoken about dry decoupage in past blog posts. A reader had asked me to do a tutorial on how to do it, and I am working on that currently. I hope to post one soon. For now, here are a couple of closeups to be able to see the decoupage layers that make up the cross. I should have trimmed off the little perforation bumps more as I was making the topper, but it’s probably too late to fix it now.
The cross has several layers of dimension to it in the squares as well as the leaves, which made it interesting to put together. And the leaves are the top layer.
Thanks again for coming to visit my blog! I appreciate your readership!