Two Kinds of Simple, Stitched Thanks Cards (Notes of Kindness, Hanging Garden, Very Vintage)

Hello again… I thought I’d pop on while multitasking and detail a couple of simple cards I made recently. I got distracted last week before my husband and I went to Florida for his job (Florida in January from Ohio – huge perk, right? Well, if one stays healthy, yes. ๐Ÿ™‚ ). When I should have been packing or finishing a card order, I ended up pulling things together for a card I didn’t anticipate making. Then last night I made another one since the first was so easy and I had a second stitched piece yet to use. ๐Ÿ™‚

Since I’ve started selling cards and making custom items, I’ve been looking for ways to make more cards faster to keep more customers happier. I’m not really a “fast” card creator; I spend too much time in the details that I love. Creating keepsakes is really my thing, but most customers don’t need that much hoopla or focus on cards they’re just sending to be thoughtful. So I have started reserving that “type” of card for specialty or specific occasion ones, cards that the recipients will love and treasure.

Through this process, I’ve figured out that card kits, though not my first love, are rather useful for making lots of cards with limited supplies and time, and when the kits come with a stamp set too, all the better. Today’s cards were not from a kit but rather from a DCWV pad of paper that was made up of various stitched designs, so it’s a similar idea. I bought the pad when I was first starting out in cardmaking and thought then that it would be a cheap way to have several nice card fronts right there at my fingertips. I’m happy to report that my hunch was correct and I only have four left to use up, which feels great. ๐Ÿ™‚ I love the look of stitchery, being a “soft crafter” myself. These cards are the same flowered design on kraft but they look totally different because of the papers and colors I chose.

The original green, yellow, and blue card has a green Mossy Meadow card base from Stampin’ Up. I paired the base and flower panel with some Designer Series Paper (DSP) from Stampin’ Up’s retired “Going Places” pack. I still have lots of useful papers in it, and one of its colors is Mossy Meadow. I don’t have much of that shade, so when I also found a Mossy Meadow grid paper in the same pack and they coordinated perfectly, as Stampin’ Up does, I stopped overthinking and put them together. It felt like it was headed toward a masculine or gender-neutral kind of card, which I don’t make as often as I should.

My detailed self, however, needed some kind of embellishment near the stem of the flower to accent where I was going to place the sentiment, so next I picked up what little remains of my Copper Twine and wrapped it around the DSP/flower panel a couple of times before gluing the panel–off-center–onto the card base, to leave room for the large “Thanks.” I just love that twine and wish I had more of it, but it was from the Notes of Kindness kit from Stampin’ Up. (Mental note: must order refill to get more!)

In keeping with the contemporary, simplistic, somewhat masculine style of the card, I needed the sentiment to be brief and obvious. The “Thanks” stamp also from the Notes of Kindness card kit was just the right thing. I used my Mossy Meadow Stampin’ Spot inch-sized ink pad and stamping platform and had it done in a jiffy. For the inside, I laid down a white paper to write on (just eyeballed a measurement for borders I liked and cut it to size with my trimmer), before using a Spellbinders die for the sentiment spot on the inside and going around the edges of it with my Mossy Meadow marker before gluing it. I used Stampin’ Up’s current Very Vintage (host only) stamp set for the “You’re a blessing” wording and accented it with three dark rhinestones from Recollections in my stash. And I added a strip of the Mossy Meadow grid paper to the bottom of the white piece for some color and continuity and a piece of matching DSP to the envelope flap to dress it up a bit. That’s it!

It was so simple that I made another card last night with the remaining flower panel. Since I had used up the grid paper with the last card, I had to go a different direction for the new one. I have a photo box full of cut-and-scored A2 card bases, and when I remember that I have them, I pick one of those out of the box rather than take time to cut and score a new one or two from my loose cardstock sheets. I thought a retired Tip Top Taupe card base from the photo box matched the kraft piece well enough. Then I had to find papers to match. I started riffling through my loose stack of random 6×6 papers just because they were behind my chair and I really should use them up. They come from swaps or generous RAK-givers or are leftovers that would get lost in my patterned paper drawer because of their size.

Included in that stack were three coordinating 3×6 sheets someone had once sent me in the mail. And one of those was the houndstooth pattern I decided to use for the new card. I’m not sure what is different about the sizing between the two cards, but it seemed like it wasn’t working to fit a second piece of patterned paper and sentiment with the houndstooth the way it had with the marbled and grid papers on the first card. Losing a layer bothered me at first, but I made myself continue and (again) stop thinking and just go with it.

(One way to faster cards is to stop looking for the “perfect” thing and use what I know matches and will work. Yes, there are probably lots of options in my craft room, but how much time do I really want to waste, sifting through papers and getting paper cuts in the process? This is a battle I wage constantly with myself. No one will really know the difference anyway, whether it should have been THIS paper over THAT paper. One paper is likely about as good as the other, unless they’re just hideous choices. ๐Ÿ™‚ Even saying that makes me feel like I care less than I should, which I do not like. But it comes down to time, always.)

So. Since one paper worked just fine and didn’t really require another paper with it, I stopped frowning and cut a couple of strips to attach to the sides of the flowered panel. Then I did the same kind of wrapping with baker’s twine–white this time, because I really didn’t want to use up the rest of the copper–and pulled out the Mossy Meadow sentiment I’d created in duplication when I stamped the first one last week. ๐Ÿ™‚ I’ve started keeping a drawer full of blank tags and another of sentiments as a way to speed things up, and so far that’s working! I added three of SU’s Metallic Pearls (current item–love them) to the kraft around the flower for some pizzazz.

I sold the first card already, but this one was going to a special person as a thank-you for a very thoughtful Christmas gift she’d sent me (yes, I know, it’s February). So I had a certain sentiment for the inside in my mind, but I couldn’t find it on my shelves. It’s probably in the ones I stacked aside that are baby-, wedding-, or general-themed, for my upcoming gift shop cards. I’m really going to need to separate those. I keep missing particular stamp sets. I searched my shelves for similar options and came up with one from a current SU set called Hanging Garden. It’s the second time I’ve used it, but I think it’s going to be a favorite: “To one of the loveliest people I know.” And when I use it, I mean it. (That’s one of the nicer things about stamping these days–designers are doing a wonderful job with creating sentiments from the heart for all kinds of situations. I feel like we have more options these days than we used to.)

I stamped the Hanging Garden sentiment in Mossy Meadow on a sheet of white to match the sentiment on the outside and then cut another strip of houndstooth paper to accent the edge. Nice and simple, good for male or female. I’m happy to report that it has already been mailed and is winging its way to Missouri (higher postage notwithstanding).

I feel rather eager to continue using those stitched panels, so you may see more from me in this vein. There’s a certain feather floating around in my mind, and I keep mentally sifting through sentiments that would go with it. But for now I must focus on a fox card and two birthday cards this weekend. The lemons are done (blogs to come), and so are J’s wedding and sympathy cards (though two more Thinking of You are also on the list). And the Etsy sale is on (10% off!) and the order to S is wrapping up, so things are moving along. Life feels good right now. ๐Ÿ™‚ Thanks for coming along for the ride.

 

Cornflower-Blue/Cream/Tan Anna Griffin Sympathy Card with Gold Foil

Another sympathy card to share.

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Although I do have other themes than just sympathy coming up (I promise!), it’s sort of where I’m stuck for a few more days. Just so many of them to make lately ๐Ÿ˜ฆ , and I’ve hardly had any time in the craft room because of editing projects. I have a feeling it’s going to be a busy fall too. But. I do have this simple offering tonight (that I have to post before I start “hopping” around elsewhere), mailed a few weeks ago now.

This card was for a dear friend/former roommate who lost her young husband recently. I wanted something reminiscent of a masculine idea but also to incorporate blue, as that was always her favorite color. And I wanted something that hearkened to their relationship, something beautiful and giving an idea of romance. And I didn’t have a lot of time to create it. (I actually worked on it in at least two snatches of time.) Tall order, I guess.

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I started off by going to my “cheat box”: a photo box I’ve filled with premade or prescored card bases, so that when I’m short on time, I can simply pluck one out of there. I’ve either already done the work on it or bought it usable. Although I prefer to use Stampin’ Up cardstock (80-lb. weight) for my card bases, I do also have a stash of printed American Crafts and DCWV bases (thank you, Marijane). So I found one that was flowery (romantic), tan (somber/masculine), and blue (the whole point) and hoped I could make it work.

I find printed bases harder to create with. There’s not much difference between a plain base that I top with patterned paper or a printed base, but I always find the latter harder to pull together into a card. But they are lovely and useful, so I keep trying.

I had a random scrap of blue flowered paper hanging around that seemed to match the color on the base fairly well, so I wanted to use it somehow. (I think it might be very retired SU DSP.) And I had sorted through my set of Anna Griffin sentiment tags and toppers beforehand to pull out ones that could work with sympathy cards, since it seems to be the “season” for that. This one spoke to me the most for her because of what she means to me and how the news affected me. Plus I liked how the gold foil in the sentiment matched the tan in the base.

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So I found some SU cardstock that coordinated, used an EK Success edge punch on one side of a long strip for the middle, and matted the sentiment with the same. (I think it’s either Crumb Cake or Tip Top Taupe cardstock.) And as I look at the pictures here, I’m wondering if I didn’t match the top and bottom bronze pearls after all (both in size and color). I meant to…. I remember thinking that the smaller size of pearl looked better next to the flowers; it didn’t take up as much room. And I already had the big one stuck at that point. Must have been more in a hurry than I thought and forgot to switch it out. (Or maybe it’s the angle of the pictures?) Erg. Well, I can’t ask for it back now. I never claimed to be perfect anyway. It’s handmade, right?

I did have some fun rummaging through my random flower canister for ones I could use on the front of the card so it wouldn’t be so plain. I nested a tiny cream one inside a couple of layers of white ones to bring in the cream-colored background of the sentiment and topped it off with a champagne-colored pearl. And of course I had to use blue flowers. This arrangement and color scheme seemed to work best. The dark blue flower is fabric ribbon with a gem in the middle of it, and the light blue rose is a rougher blend.

I chose the same SU cardstock from the front for the inside, since the inside of the card base was white. I matted the left-hand sentiment with cream for contrast. Both stamps were inked with an Encore Gold Metallic pad and heated with a heat gun afterward. The left-hand sentiment is from a retired SU set called “Words of Wisdom,” and the one on the right is from the retired SU set “Thoughts and Prayers.” I used a gold border strip from the retired SU “Painted Love Gold Vinyl Stickers” from the last catalog down one side and edge-punched the other with the EK punch from the front.

So that’s it for this one. I’m glad I’ve actually managed to mail it. Still working on that for some of the others. ๐Ÿ˜› More to come later. Back to my edit for now. The juggling continues!